02232nam 2200613Ia 450 991081271290332120200520144314.01-283-73859-71-61168-336-X(CKB)2670000000278218(EBL)1085112(OCoLC)818733962(SSID)ssj0000826868(PQKBManifestationID)11932155(PQKBTitleCode)TC0000826868(PQKBWorkID)10808934(PQKB)10387666(MiAaPQ)EBC1085112(MdBmJHUP)muse18931(Au-PeEL)EBL1085112(CaPaEBR)ebr10620943(CaONFJC)MIL405109(EXLCZ)99267000000027821820120430d2012 uy 0engur|n|---|||||txtccrNo innocent bystanders performance art and audience /Frazer Ward1st ed.Hanover, N.H. Dartmouth College Pressc20121 online resource (221 p.)Interfaces, studies in visual cultureDescription based upon print version of record.1-61168-334-3 Includes bibliographical references and index.Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist".The changing role of the spectator in contemporary performance artInterfaces: Studies in Visual CulturePerformance artPerforming artsAudiencesPerformance art.Performing artsAudiences.709.04/0755709.040755Ward Frazer1717718MiAaPQMiAaPQMiAaPQBOOK9910812712903321No innocent bystanders4114176UNINA