02740nam 2200589 a 450 991081238500332120230803030616.01-61703-894-61-62846-636-71-62103-982-X(CKB)2670000000391314(StDuBDS)EDZ0000203642(MiAaPQ)EBC1181931(OCoLC)828334142(MdBmJHUP)muse28608(MiAaPQ)EBC4977730(Au-PeEL)EBL1181931(CaPaEBR)ebr10733951(CaONFJC)MIL838054(Au-PeEL)EBL4977730(CaONFJC)MIL505035(OCoLC)1024284068(EXLCZ)99267000000039131420130719d2013 uy 0engur|||||||||||rdacontentrdacontentrdamediardacarrierStanley Kubrick[electronic resource] adapting the sublime /Elisa PezzottaJackson University Press of Mississippi20131 online resource (x, 230 pages) illustrations (black and white)1-61703-893-8 1-57806-297-7 Includes bibliographical references, filmography and index.Introduction -- A history of Kubrick adaptations -- Plot construction: ellipses and enigmas of unrelated -- Scenes -- Plot construction: a chaotic geometry -- Music, dance, and dialogue -- Dreamy worlds -- Artificiality, modernism, and the sublime -- Conclusion.Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since '2001: A Space Odyssey' (1968), they seem to exploit definitively all cinematic techniques, embodying a compelling visual and aural experience. But, as the author of this book contends, it is for these reasons that Kubrick's cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Pezzotta concludes that, unlike his predecessors, he creates a cinema not only centred on the ontology of the medium, but on the staging of sublime, new experiences.LiteratureAdaptationsHistory and criticismFilm adaptationsHistory and criticismLiteratureAdaptationsHistory and criticism.Film adaptationsHistory and criticism.791.43/0233/092Pezzotta Elisa1674147Phillips Gene D880459MiAaPQMiAaPQMiAaPQBOOK9910812385003321Stanley Kubrick4038767UNINA