03056nam 2200733Ia 450 991081200810332120200520144314.01-299-31307-81-55458-086-210.51644/9781554580866(CKB)2430000000002809(EBL)685611(OCoLC)753479493(SSID)ssj0000382076(PQKBManifestationID)11311223(PQKBTitleCode)TC0000382076(PQKBWorkID)10391711(PQKB)10094375(CaBNvSL)slc00222108(CaPaEBR)424200(OCoLC)607647995(MdBmJHUP)muse17990(Au-PeEL)EBL685611(CaPaEBR)ebr10275509(CaONFJC)MIL462557(VaAlCD)20.500.12592/2vvsb8(MiAaPQ)EBC685611(MiAaPQ)EBC3261125(DE-B1597)667741(DE-B1597)9781554580866(EXLCZ)99243000000000280920080307d2008 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierHarmony and dissent film and avant-garde art movements in the early twentieth century /R. Bruce Elder1st ed.[Waterloo, Ont.] Wilfrid Laurier University Pressc20081 online resource (xxxiii, 480 pages)Film and media studies series1-55458-226-1 1-55458-028-5 Includes bibliographical references and index.Contents; Preface; Acknowledgements; PART 1 MODERNISM AND THE ABSOLUTE FILM: THE OVERCOMING OF REPRESENTATION; PART 2 MODERNISM AND REVOLUTION: CONSTRUCTIVISM BETWEEN MARXISM AND THEOLOGY; Concluding Unscientific Postscript; Appendix: Viking Eggeling's Diagonal-Symphonie: An Analysis; IndexR. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concernFilm + media studies.Harmony + dissentArt and motion picturesAvant-garde (Aesthetics)Modernism (Art)Art and motion pictures.Avant-garde (Aesthetics)Modernism (Art)700Elder Bruce(R. Bruce)1083217MiAaPQMiAaPQMiAaPQBOOK9910812008103321Harmony and dissent3951644UNINA