02638nam 2200637Ia 450 991081190690332120200520144314.00-8166-5040-3(CKB)1000000000482418(EBL)328370(OCoLC)648344546(SSID)ssj0000122301(PQKBManifestationID)11135487(PQKBTitleCode)TC0000122301(PQKBWorkID)10123883(PQKB)10970338(MiAaPQ)EBC328370(OCoLC)191733138(MdBmJHUP)muse38890(Au-PeEL)EBL328370(CaPaEBR)ebr10212607(CaONFJC)MIL523072(EXLCZ)99100000000048241820070814d2007 uy 0engur|n|---|||||txtccrCinematic identity anatomy of a problem film /Cindy Patton1st ed.Minneapolis, Minn. University of Minnesota Press ;[Bristol University Presses Marketing, distributor]c20071 online resource (200 p.)Theory out of bounds ;v. 29Description based upon print version of record.0-8166-3412-2 0-8166-3411-4 Includes bibliographical references and index.CONTENTS; ACKNOWLEDGMENTS; 1. American Celluloid: New Medium, New Citizen; 2. In the Hearts of Men; 3. Censorship and the Problem Films; 4. Acting Up: The Performing American; 5. Two Conversations: Black and White Americans on Film; APPENDIX. PINKY: A SYNOPSIS; NOTES; REFERENCES; FILMOGRAPHY; INDEXCindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other Òproblem filmsÓ and to explore the larger issues they raise about race, gender, and sexuality. Patton historicizes Òproblem filmsÓ and the arrival of Method acting in Hollywood, and in doing so offers new perspectives on identity politics, from feminism to the gay rights movement.Theory out of bounds ;v. 29.Minorities in motion picturesMotion picturesUnited StatesSocial problems in motion picturesMinorities in motion pictures.Motion picturesSocial problems in motion pictures.791.4365560973Patton Cindy1956-1633357MiAaPQMiAaPQMiAaPQBOOK9910811906903321Cinematic identity4004207UNINA