03831nam 2200649 450 991081188150332120230807221132.00-8047-9539-810.1515/9780804795395(CKB)3710000000450661(EBL)3568965(SSID)ssj0001531724(PQKBManifestationID)12639625(PQKBTitleCode)TC0001531724(PQKBWorkID)11463583(PQKB)11217289(MiAaPQ)EBC3568965(DE-B1597)564230(DE-B1597)9780804795395(Au-PeEL)EBL3568965(CaPaEBR)ebr11085707(OCoLC)932322731(OCoLC)1178768800(EXLCZ)99371000000045066120150814h20152015 uy 0engurnnu---|u||utxtccrAn American cakewalk ten syncopators of the modern world /Zeese PapanikolasStanford, California :Stanford University Press,2015.©20151 online resource (255 p.)Description based upon print version of record.0-8047-9199-6 Includes bibliographical references and index.Front matter --Contents --Introduction --Chapter 1. Ghost Dance --Chapter 2. Valentines --Chapter 3. Cakewalk --Chapter 4. Monsters --Chapter 5. The Soul Shepherd --Chapter 6. The Return of the Novelist --Chapter 7. An Innocent at Cedro --Chapter 8. The Rise of Abraham Cahan --Chapter 9. Beyond Syncopation --Notes --Acknowledgments --Source Acknowledgments --Notes for Further Reading --Name IndexThe profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.Authors, AmericanBiographyArtistsUnited StatesBiographyIntellectualsUnited StatesBiographyUnited StatesIntellectual life19th centuryUnited StatesIntellectual life20th centuryUnited StatesBiographyAuthors, AmericanArtistsIntellectuals973.5Papanikolas Zeese1666403MiAaPQMiAaPQMiAaPQBOOK9910811881503321An American cakewalk4025664UNINA