03457nam 2200565 450 991081177030332120230803220609.00-8108-8330-9(CKB)2550000001179350(EBL)1584890(OCoLC)867821122(SSID)ssj0001127165(PQKBManifestationID)11636420(PQKBTitleCode)TC0001127165(PQKBWorkID)11136372(PQKB)10519851(MiAaPQ)EBC1584890(Au-PeEL)EBL1584890(CaPaEBR)ebr10822700(CaONFJC)MIL559489(EXLCZ)99255000000117935020140114d2014 uy 0engur|n|---|||||txtccrThe collected writings of Franz LisztVolume 3, Part 1Dramaturgical leaves: essays about musical works for the stage and queries about the stage, its composers, and performers /edited and translated by Janita R. Hall-Swadley ; foreword by Cornelia Szabó-KnotikLanham, Maryland ;Plymouth, England :Rowman & Littlefield,2014.©20141 online resource (427 p.)Description based upon print version of record.0-8108-8298-1 1-306-28238-1 Includes bibliographical references and index.THE COLLECTED WRITINGS OF FRANZ LISZT ; Contents ; Expanded Contents Based on the 1880/83 Gesammelte Schriften ; List of Figures ; Foreword ; Acknowledgments ; Introduction ; Liszt as Patron ; Hermaphroditic Operas: Gender Obscured for the Sake of a National Identity ; Entr'acte Music in the Nineteenth Century: A Historical Perspective ; Translator's Notes ; The Writings ; 1 Orpheus by Gluck (1854) ; 2 Beethoven's Fidelio (1854) ; 3 Weber's Euryanthe (1854) ; 4 About Beethoven's Music to Egmont (1854) ; 5 About Mendelssohn's Music to Midsummer Night's Dream (1854)6 Scribe and Meyerbeer's Robert the Devil (1854) 7 Schubert's Alfonso and Estrella (1854) ; 8 The Mute from Portici by Auber (1854) ; 9 Bellini's Montague and Capulet (1854) ; 10 Boieldieu's White Lady (1854) ; 11 Donizetti's The Favorite (1854) ; 12 Pauline Viardot-Garcia (1859) ; 13 No Entr'acte Music! (1855) ; 14 On the Occasion of Mozart's Centennial Celebration in Vienna (1856) ; Bibliography ; Index ; About the Editor/Translator<span><span>In </span><span style=""font-style:italic;"">Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers</span><span>, the third volume in Janita R. Hall-Swadley's </span><span style=""font-style:italic;"">The Collected Writings of Franz Liszt</span><span>, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera </span><span style=""font-style:italic;"">Orpheus</span><span>, expounds on BeethoveMusicHistory and criticismMusicHistory and criticism.780.92Hall-Swadley Janita R1627333Szabo-Knotik Cornelia1627334MiAaPQMiAaPQMiAaPQBOOK9910811770303321The collected writings of Franz Liszt3963870UNINA