02885nam 2200685 a 450 991081174830332120240430210748.01-315-58713-01-317-12094-91-317-12093-01-281-20852-397866112085230-7546-8720-1(CKB)1000000000410579(EBL)438913(OCoLC)648331738(SSID)ssj0000173408(PQKBManifestationID)11182313(PQKBTitleCode)TC0000173408(PQKBWorkID)10164667(PQKB)11611539(Au-PeEL)EBL438913(CaPaEBR)ebr10209135(CaONFJC)MIL120852(Au-PeEL)EBL5122038(CaONFJC)MIL919230(OCoLC)1027133061(MiAaPQ)EBC438913(MiAaPQ)EBC5122038(EXLCZ)99100000000041057920061226d2007 uy 0engurcn|||||||||txtccrHow Britain got the blues the transmission and reception of American blues style in the United Kingdom /Roberta Freund Schwartz1st ed.Aldershot, England ;Burlington, VT Ashgatec20071 online resource (282 p.)Ashgate popular and folk music seriesDescription based upon print version of record.0-7546-5580-6 Includes bibliographical references (p. [247]-259) and index.Jazz reception in Britain : misunderstandings and recordings in exile -- The first time I met the blues : blues arrives in Britain -- 1953-1957 : the problem of the new -- 1957-1962 : the blues revival, part I -- London : the new Chicago! : the R&B boom of 1963-1965 -- Blues at the crossroads : the British blues revival part III, 1965-1970.This book explores how, and why, the blues became a central component of English popular music in the 1960's. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties.Ashgate popular and folk music series.Blues (Music)Great BritainHistory and criticismBlues (Music)InfluenceBlues (Music)History and criticism.Blues (Music)Influence.781.6430941/09046Schwartz Roberta Freund1661027MiAaPQMiAaPQMiAaPQBOOK9910811748303321How Britain got the blues4016678UNINA