03768nam 2200613 450 991081137390332120230803022816.094-012-1029-210.1163/9789401210294(CKB)2550000001182775(EBL)1727101(SSID)ssj0001127685(PQKBManifestationID)12482940(PQKBTitleCode)TC0001127685(PQKBWorkID)11151992(PQKB)10761704(MiAaPQ)EBC1727101(OCoLC)868283770(nllekb)BRILL9789401210294(Au-PeEL)EBL1727101(CaPaEBR)ebr10826892(CaONFJC)MIL562801(EXLCZ)99255000000118277520140128h20132013 uy 0engur|n|---|||||txtccrObserving theatre spirituality and subjectivity in the performing arts /Daniel Meyer-Dinkgräfe ; cover design by Aart Jan Bergshoeff ; Per Brask [and eleven others], contributorsAmsterdam, Netherlands ;New York :Rodopi,2013.©20131 online resource (229 p.)Consciousness, literature & the arts,1879-6044 ;36Description based upon print version of record.90-420-3780-6 1-306-31550-6 Includes bibliographical references and index.Preliminary Material --Acknowledgments --Introduction --Nostalgia /Benjamin Poore , Yana Meerzon and Daniel Meyer-Dinkgräfe --Towards intuitive collaboration as a concept for discussing intercultural performance /Daniel Meyer-Dinkgräfe , Gayathri Ganapathy and Shrikant Subramaniam --Appropriate forms of praise of acting in theatre criticism /Daniel Meyer-Dinkgräfe , Per Brask and Harry Youtt --New dimensions of consciousness studies --Principles of consciousness and theatre contexts --Feedback from contributors and discussion --Summary and Outlook --Bibliography --Contributors --Index.Daniel Meyer-Dinkgräfe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder’s approach as precisely as possible, then take Binder’s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new “fiction”, to show to people, in a playful and creative manner, the direction in which the new consciousness can move.Consciousness, Literature and the Arts36.Performing artsPerforming arts.791Meyer-Dinkgräfe Daniel1958-852416Bergshoeff Aart Jan1614042Brask Per1952-1493235MiAaPQMiAaPQMiAaPQBOOK9910811373903321Observing theatre3989271UNINA