04596nam 2200985Ia 450 991081120330332120230803020731.00-520-95505-610.1525/9780520955059(CKB)2550000001039645(EBL)1165081(OCoLC)836400766(SSID)ssj0000856580(PQKBManifestationID)11503078(PQKBTitleCode)TC0000856580(PQKBWorkID)10818814(PQKB)11094018(StDuBDS)EDZ0000173315(MiAaPQ)EBC1165081(OCoLC)867741080(MdBmJHUP)muse31063(DE-B1597)519782(DE-B1597)9780520955059(Au-PeEL)EBL1165081(CaPaEBR)ebr10685276(CaONFJC)MIL476605(EXLCZ)99255000000103964520121012d2013 ub 0engurcn|||||||||txtccrThe persistence of sentiment[electronic resource] display and feeling in popular music of the 1970s /Mitchell MorrisBerkeley University of California Press20131 online resource (259 p.)Description based upon print version of record.0-520-24285-8 0-520-27599-3 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --1. Introduction --2. Black Masculinity and the Sound of Wealth --3. Transport and Interiority in Soft Soul --4. The Audience and Barry Manilow --5. The Voice of Karen Carpenter --6. Cher's "Dark Ladies" --7. Crossing Over with Dolly Parton --Notes --Works Cited --IndexHow can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? In The Persistence of Sentiment, Mitchell Morris gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. Morris examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity as well as their dismissal. These artists were all members of more or less disadvantaged social categories: members of racial or sexual minorities, victims of class and gender prejudices, advocates of populations excluded from the mainstream. The complicated commercial world of pop music in the 1970's allowed the greater promulgation of musical styles and idioms that spoke to and for exactly those stigmatized audiences. In more recent years, beginning with the "Seventies Revival" of the early 1990's, additional perspectives and layers of interpretation have allowed not only a deeper understanding of these songs' function than when they were first popular, but also an appreciation of how their significance has shifted for American listeners in the succeeding three decades.Popular musicUnited States1971-1980History and criticismSingersUnited States1970s.american music.american society.class issues.commercial success.commerical music.emotional display.entertainment industry.feelings and emotions.gender issues.minority appeal.minority audiences.music and culture.music criticism.music critics.music historians.music history.music interpretation.music performers.music philosophy.musical styles.musicians.musicology.pop music.popular music.prejudice.racial minorities.sexual minorities.social contexts.united states.Popular musicHistory and criticism.Singers781.640973/09047Morris Mitchell1961-1670520MiAaPQMiAaPQMiAaPQBOOK9910811203303321The persistence of sentiment4032424UNINA