02376oam 2200601 a 450 991081117170332120161228111449.09786613721792978047202856604720285619781280880483128088048110.3998/mpub.3704364(CKB)2550000000104497(OCoLC)802049343(CaPaEBR)ebrary10575754(SSID)ssj0000703500(PQKBManifestationID)11407033(PQKBTitleCode)TC0000703500(PQKBWorkID)10689819(PQKB)11414747(MiU)10.3998/mpub.3704364(MiAaPQ)EBC3415070(EXLCZ)99255000000010449720120319d2012 ub 0engurunu||||||||txtccrActing in real time /Paul Binnerts ; translated by Paul Binnerts and Stephen Wangh1st ed.Ann Arbor :The University of Michigan Press,2012.1 online resource (291 p.) Bibliographic Level Mode of Issuance: Monograph9780472035038 0472035037 Includes bibliographical references (p. 259-266).Intro -- Contents -- Acknowledgments -- Introduction: Human Behavior Is the Core Business of Theater -- Part 1: Premises and Inspirations -- 1. The Dilemmas of the Actor: Who Is He and What Is His Task? -- 2. The Heart and Soul of the Actor: Stanislavski's Approach -- 3. The Actor as Eyewitness to Social Processes: Brecht's Approach -- Part II: Acting In Real Time -- 4. The Technique -- 5. The Workshop -- 6. The Exercises -- Part III: Real-Time Acting and Theater In Historical Perspective -- 7. Origins and Conventions -- 8. New Conventions and Innovations -- Notes -- Illustrations (follow page 204).A new theory of acting that tears down the theatrical "Fourth Wall".ActingMethod actingActing.Method acting.792.02/8Binnerts Paul1663345Michigan Publishing (University of Michigan)MiUMiUBOOK9910811171703321Acting in real time4020588UNINA