04486nam 2200637 450 991081108580332120230803022826.094-012-0995-2(CKB)2550000001182783(EBL)1771009(SSID)ssj0001108512(PQKBManifestationID)11775173(PQKBTitleCode)TC0001108512(PQKBWorkID)11103650(PQKB)11734273(MiAaPQ)EBC1771009(OCoLC)868282565(OCoLC)961624254(OCoLC)962625342(nllekb)BRILL9789401209953(Au-PeEL)EBL1771009(CaPaEBR)ebr10826894(CaONFJC)MIL562809(OCoLC)868282565(EXLCZ)99255000000118278320140128h20132013 uy 0engurcnu||||||||txtccrModernism today /edited by Sjef Houppermans [and three others] ; Jan Baetens [and seventeen others], contributorsAmsterdam, Netherlands ;New York :Rodopi,2013.©20131 online resource (282 p.)Textxet ;72Includes index.90-420-3744-X 1-306-31558-1 Preliminary Material --WHAT MODERNISM WAS AND IS: BY WAY OF AN INTRODUCTION /Sascha Sascha and Dirk de Geest --TOWARDS MODERNISM /Hans Bertens --“THE WORLD IS A FINE ADVENTUROUS PLACE”: GRAHAM GREENE IN THE 1930's /Peter Liebregts --SORTIES OR ENTRENCHMENT: ROUSSEL, CREVEL AND ARAGON BETWEEN AVANT-GARDE AND ARRIǑE-GARDE /Sjef Houppermans --INTELLECTUAL SCEPTICISM VERSUS AVANT-GARDE BRAGGING: MODERNISM IN DUTCH LITERATURE /Jacqueline Bel --“THE FINAL CATHOLIC”: PAUL VAN OSTAIJEN, AND THE CATHOLIC RȖEIL AROUND THE FIRST WORLD WAR /Geert Buelens --ARRIǑE-GARDE PERSPECTIVES ON THE HISTORY OF MODERN LITERATURE: THE CASE OF THE NETHERLANDS (1880-1940) /Koen Rymenants , Tom Sintobin and Pieter Verstraeten --HOW MODERNISM DISAPPEARED FROM FEDOR GLADKOV’S CEMENT BETWEEN 1924 AND 1958 /Arthur Langeveld --BIOCOSMISM AND THE RUSSIAN AVANT-GARDE: A LITERARY CUL-DE-SAC OR THE ROAD TO IMMORTALITY? /Otto Boele --TEN TIMES PESSOA /Paulo de Medeiros --MODERNISM IN GREEK LITERATURE (1910-1940) /Hero Hokwerda --FUN HOME: ITHACA, PENNSYLVANIA /Jan Baetens --A MODERNIST “ATTEMPT AT CINEMA”: THE “IMPURITY” OF PIERROT LE FOU /Peter Verstraten --MODERNISM AND THE ART OF PRINTING: TRANSITION AND CAROLUS VERHULST /Peter de Voogd --THE (POST)MODERN MUSIC OF EDGARD VARǓE /Marcel Cobussen --NOTES ON CONTRIBUTORS --INDEX.This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as “middlebrow”, “arrière-garde”, and to some extent even “avant-garde”, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually.Text (Rodopi (Firm)) ;72.Modernism (Literature)Modernism (Literature)EuropeEuropean literature20th centuryHistory and criticismModernism (Literature)Modernism (Literature)European literatureHistory and criticism.809.9112Houppermans Sjef464908Baetens Jan176316MiAaPQMiAaPQMiAaPQBOOK9910811085803321Modernism today4033123UNINA