02963nam 2200433 450 991042093730332120231214145415.0989-26-1869-6(CKB)4100000011515750(oapen)https://directory.doabooks.org/handle/20.500.12854/46032(EXLCZ)99410000001151575020201027d2020 c0 0poruubu#---uuuuutxtrdacontentnrdamediancrdacarrierEis que o teu Rei vem a ti arqueologia e arquétipos da cerimónia de entrada episcopal em Portugal e no Império Português (Séculos XVI-XVIII) /Paola NestolaCoimbra University Press2020Portugal :Coimbra University Press,20201 online resource (272 pages) illustrations; digital, PDF file(s)InvestigaçãoPrint version: 9789892618685 Includes bibliographical references and index.Paola Nestola puts her hands and under the eyes of the readers a comprehensive study to reflect on the ceremonial as a field of construction of religious identity, highlighting the archaeological and archetypal features of an important ceremony of the modern era: the solemn entrance of the bishops into the diocese. In recent decades much has been published about political rituality, both in Portugal and in other countries with deep Christian roots. The book, based on written and visual documents, fits into this scientific context, with the purpose of analysing a little knowne thereal corpus of ceremonial representations but with a strong symbolic and emotional charge. Starting from the unpublished biographical stages of the Archbishop of Braga, Fr. Agostinho de Jesus (1588-1609), will it be possible to approach an incursion into this episcopal ceremony and its archetypal origins? Is it possible to reflect on the imaginative and contemplative experience unleashed on the protagonists of this liturgy? Is it possible to reconstruct the perception that has arisen, in its contemporaries, of the power and jurisdiction of the Archbishop of Braga? Throughout the 17th-18th centuries the solemn ceremony changed following a cultural, religious, political, theological and liturgical change that also took into account the reflections of the Protestant Reformation. For this purpose, other iconographic representations, other ceremonial memories of the dioceses of Portugal and its empire make these analytical purposes possible.ArcheologyEmpireIconographyBishopsReligious CeremoniesXVI th-XVIIIth CenturiesEpiscopal entryPortugalDiocesesNestola Paulo1218962BOOK9910420937303321Eis que o teu Rei vem a ti2818814UNINA04471nam 2200733 a 450 991077966620332120200520144314.00-8014-6702-00-8014-2090-30-8014-6703-910.7591/9780801467035(CKB)2550000001038208(OCoLC)828738007(CaPaEBR)ebrary10648924(SSID)ssj0000870606(PQKBManifestationID)11526917(PQKBTitleCode)TC0000870606(PQKBWorkID)10819182(PQKB)10659184(OCoLC)966938674(MdBmJHUP)muse51914(DE-B1597)478517(OCoLC)979954138(DE-B1597)9780801467035(Au-PeEL)EBL3138419(CaPaEBR)ebr10648924(CaONFJC)MIL681591(OCoLC)922998352(MiAaPQ)EBC3138419(EXLCZ)99255000000103820819870826d1988 uy 0engurcn|||||||||txtccrRule of darkness[electronic resource] British literature and imperialism, 1830-1914 /Patrick BrantlingerIthaca Cornell University Press19881 online resource (322 p.)First printing, Cornell Paperbacks, 1990.1-322-50309-5 0-8014-9767-1 Includes bibliographical (p. 277-301) and index.pt. I. Dawn -- pt. II. Noon -- pt. III. Dusk.A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880's to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.English literature19th centuryHistory and criticismImperialism in literatureEnglish literature20th centuryHistory and criticismPolitics and literatureGreat BritainColonies in literatureEnglish literatureHistory and criticism.Imperialism in literature.English literatureHistory and criticism.Politics and literatureColonies in literature.820/.9/358Brantlinger Patrick1941-545092MiAaPQMiAaPQMiAaPQBOOK9910779666203321Rule of darkness890168UNINA03615nam 2200661 450 991081081190332120230814223037.090-04-36759-410.1163/9789004367593(CKB)4100000004840441(MiAaPQ)EBC5557361(OCoLC)1039238068(nllekb)BRILL9789004367593(EXLCZ)99410000000484044120210425d2018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierHieroglyph, emblem, and Renaissance pictography /by Ludwig Volkmann ; translated and edited by Robin RaybouldLeiden ;Boston :Brill,2018.1 online resource (xxiv, 307 pages) illustrationsBrill's studies in intellectual history,0920-8607 ;volume 281Brill's studies on art, art history, and intellectual history ;volume 2890-04-36093-X Includes bibliographical references and index.Front Matter -- Copyright page -- Translator's Preface -- List of Illustrations -- Author's Introduction -- The Hieroglyphics of the Italian Humanists -- Emblematics and Its Derivatives: Imprese and Devices -- Hieroglyphics North of the Alps -- Resonances from the Seventeenth and Eighteenth Centuries -- Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten) -- Back Matter -- Bibliography.Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould's translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field.Brill's Studies in Intellectual Historyv. 281.Brill's studies in intellectual history.Brill's studies on art, art history, and intellectual history ;v. 28.HieroglyphicsHistory16th centuryEmblemsHistory16th centuryArt, RenaissanceThemes, motivesPrinters' marksArt, RenaissanceThemes, motivesfastEmblemsfastHieroglyphicsfastPrinters' marksfastHistory.fastHieroglyphicsHistoryEmblemsHistoryArt, RenaissanceThemes, motives.Printers' marks.Art, RenaissanceThemes, motives.Emblems.Hieroglyphics.Printers' marks.709.02/4Volkmann Ludwig1870-1947.1668707Raybould Robin1641288Volkmann Ludwig1870-1947.1668707NL-LeKBNL-LeKBBOOK9910810811903321Hieroglyph, emblem, and Renaissance pictography4029463UNINA