03756nam 2200745Ia 450 991081063890332120200520144314.01-107-22978-21-139-20996-51-280-48529-91-139-22291-097866135802761-139-21811-51-139-21502-71-139-22463-81-139-22120-51-139-01369-6(CKB)2670000000140308(EBL)833479(OCoLC)775869973(SSID)ssj0000612516(PQKBManifestationID)11371074(PQKBTitleCode)TC0000612516(PQKBWorkID)10570844(PQKB)10579899(UkCbUP)CR9781139013697(MiAaPQ)EBC833479(Au-PeEL)EBL833479(CaPaEBR)ebr10533270(CaONFJC)MIL358027(OCoLC)817935767(EXLCZ)99267000000014030820110926d2011 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierPerforming operas for Mozart impresarios, singers and troupes1st ed.Cambridge ;New York Cambridge University Press20111 online resource (xv, 274 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).1-316-63242-3 1-107-01429-8 Includes bibliographical references and index.Pasquale Bondini -- Die Entführung aus dem Serail -- The Italian troupe in Prague -- The Prague Figaro -- The genesis of Don Giovanni -- The première of Don Giovanni -- The casting of Don Giovanni -- The Leipzig Don Giovanni -- The 1788 Prague Don Giovanni -- Mozart's music in Leipzig -- Josepha Duschek's academy (22 April 1788) -- Mozart's academy (12 May 1789) -- Guardasoni in Warsaw -- The première of La clemenza di Tito -- The Leipzig reception of the Da Ponte operas (1792-1794) -- Guardasoni diversifies.The Italian opera company in Prague managed by Pasquale Bondini and Domenico Guardasoni played a central role in promoting Mozart's operas during the final years of his life. Using a wide range of primary sources which include the superb collections of eighteenth-century opera posters and concert programmes in Leipzig and the Indice de' teatrali spettacoli, an almanac of Italian singers and dancers, this study examines the annual schedules, recruitment networks, casting policies and repertoire selections of this important company. Woodfield shows how Italian-language performances of Figaro, Don Giovanni, Così fan tutte and La clemenza di Tito flourished along the well-known cultural axis linking Prague in Bohemia to Dresden and Leipzig in Saxony. The important part played by concert performances of operatic arias in the early reception of Mozart's works is also discussed and new information is presented about the reception of Josepha Duschek and Mozart in Leipzig.ImpresariosOperaProduction and directionGermanyLeipzig18th centuryOperaProduction and directionCzech RepublicPrague18th centuryImpresarios.OperaProduction and directionOperaProduction and direction792.5094LP 40411rvk9,2ssgnWoodfield Ian1009397MiAaPQMiAaPQMiAaPQBOOK9910810638903321Performing operas for Mozart4077296UNINA