02889nam 2200613 450 991081018980332120230807215811.00-253-01722-X(CKB)3710000000430893(EBL)2068802(SSID)ssj0001497944(PQKBManifestationID)11874267(PQKBTitleCode)TC0001497944(PQKBWorkID)11495756(PQKB)10790550(MiAaPQ)EBC2068802(OCoLC)911046023(MdBmJHUP)muse48287(Au-PeEL)EBL2068802(CaPaEBR)ebr11064690(CaONFJC)MIL798686(EXLCZ)99371000000043089320150625h20152015 uy 0engur|n|---|||||txtccrMusic and the crises of the modern subject /Michael L. KleinBloomington, Indiana ;Indianapolis, Indiana :Indiana University Press,2015.©20151 online resource (206 p.)Musical Meaning and InterpretationDescription based upon print version of record.0-253-01720-3 Includes bibliographical references and index.Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular.Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by ""the subject"" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, filmMusical meaning and interpretation.MusicPsychological aspectsMusicPhilosophy and aestheticsMusical analysisMusicPsychological aspects.MusicPhilosophy and aesthetics.Musical analysis.781.1/7Klein Michael Leslie1623713MiAaPQMiAaPQMiAaPQBOOK9910810189803321Music and the crises of the modern subject3958292UNINA