02582oam 2200601I 450 991081010120332120240131145406.01-135-76851-X0-203-72391-01-283-88889-01-135-76844-710.4324/9780203723913 (CKB)2550000000710658(EBL)1099492(OCoLC)823389575(SSID)ssj0000787260(PQKBManifestationID)11407271(PQKBTitleCode)TC0000787260(PQKBWorkID)10813541(PQKB)11658980(MiAaPQ)EBC1099492(Au-PeEL)EBL1099492(CaPaEBR)ebr10639114(CaONFJC)MIL420139(OCoLC)822561459(FINmELB)ELB135534(EXLCZ)99255000000071065820180706d2012 uy 0engur|n|---|||||txtccrTwentieth-century music theory and practice /Edward PearsallNew York :Routledge,2012.1 online resource (313 p.)Description based upon print version of record.0-415-88896-4 0-415-88895-6 Includes bibliographical references and index.Scales, harmony, and referential collections -- Pitch and interval -- Sets and segmentation -- Unordered sets and their operations -- Set class analysis -- Ordered pitch sets and their operations -- Rhythm and contour -- Ordered pc-sets and rows -- Texture and sound color.Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles.Music theoryHistory20th centuryMusic theoryHistory781.09/04Pearsall Edward1954-,1684854MiAaPQMiAaPQMiAaPQBOOK9910810101203321Twentieth-century music theory and practice4056544UNINA