02655oam 2200625I 450 991080997800332120191121031126.097866137218089781280880490128088049X9780472029006047202900210.3998/mpub.359575(CKB)2550000000104493(EBL)3415066(SSID)ssj0000745159(PQKBManifestationID)11470299(PQKBTitleCode)TC0000745159(PQKBWorkID)10852051(PQKB)11265654(MiU)10.3998/mpub.359575(MiAaPQ)EBC3415066(EXLCZ)99255000000010449320090817h20102010 uy 0engur|n|---|||||txtccrCutting performances collage events, feminist artists, and the American avant-garde /James M. Harding1st pbk. ed.Ann Arbor, Michigan :University of Michigan Press,[2010]©20101 online resource (235 p.)Theater : theory/text/performanceDescription based upon print version of record.9780472035205 0472035207 Includes bibliographical references and index (pages 215-222).Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.Sheds light on the critical role that women artists have played in the evolution of the American avant-garde.Theater--theory/text/performance.Feminist theaterExperimental theaterFeminist theater.Experimental theater.792.022Harding James Martin1958-1640325Michigan Publishing (University of Michigan),EYMEYMBOOK9910809978003321Cutting performances4196486UNINA