02831nam 2200577 450 991080993260332120230808192014.01-4422-5341-X(CKB)3710000000610749(EBL)4432270(SSID)ssj0001624549(PQKBManifestationID)16361662(PQKBTitleCode)TC0001624549(PQKBWorkID)14842298(PQKB)11471468(PQKBManifestationID)16229793(PQKBWorkID)14842299(PQKB)20941219(MiAaPQ)EBC4432270(DLC) 2015046982(EXLCZ)99371000000061074920151124h20162016 uy| 0engur|n|---|||||txtccrArt of the Amistad and The Portrait of Cinqué /Laura A. MacalusoLanham :Rowman & Littlefield,[2016]©20161 online resource (195 p.)American Association for State and Local HistoryDescription based upon print version of record.1-4422-5340-1 Includes bibliographical references and index.Contents; List of Illustrations; Preface; Acknowledgments; Chapter 1. Prologue; Chapter 2. Behind the Canvas; Chapter 3. Presenting Cinqué/Collecting Cinqué: Images of Cinqué and the Amistad in Painting, Prints, and Performance; Chapter 4. Presenting Cinqué/Collecting Cinqué: Images of Cinqué and the Amistad in Murals, Monuments, and Material Culture; Chapter 5. Coda; Bibliography; Index; About the AuthorTracing the revolutionary creation of what art historian Stephen Eisenman calls "a highly individualized, noble portrait of an African man," Art of the Amistad and The Portrait of Cinqué is built around visual and material culture, and thus does not use images merely as illustration, but tells its story through the wide range of images and materials presented. While the Portrait of Cinqué seems to sit quietly behind Plexiglass at a local history museum, the impact of this 175-year old painting is palpable; very few portraits from the 19th century-let alone a portrait of a black man-remain a reAmerican Association for State and Local History series.Art and societyUnited StatesHistory19th centuryMaterial cultureUnited StatesHistory19th centuryArt and societyHistoryMaterial cultureHistory701/.03Macaluso Laura A.1687942MiAaPQMiAaPQMiAaPQBOOK9910809932603321Art of the Amistad and The Portrait of Cinqué4061817UNINA