04272nam 2200649Ia 450 991080989340332120200520144314.01-136-63891-11-136-63892-X0-203-80419-810.4324/9780203804193 (CKB)2550000000098493(EBL)958069(OCoLC)798531808(SSID)ssj0000677442(PQKBManifestationID)11457245(PQKBTitleCode)TC0000677442(PQKBWorkID)10693628(PQKB)10952445(MiAaPQ)EBC958069(Au-PeEL)EBL958069(CaPaEBR)ebr10542469(CaONFJC)MIL761225(OCoLC)784952831(EXLCZ)99255000000009849320110822d2012 uy 0engur|n|---|||||txtccrEntering the picture Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists /edited by Jill Fields1st ed.New York Routledge20121 online resource (377 p.)New directions in American historyDescription based upon print version of record.0-415-88769-0 0-415-88768-2 Includes bibliographical references and index.Cover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in CaliforniaSection II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; IndexIn 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art - including the famous ""Cunt Cheerleaders"" - were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artistsNew directions in American history.Feminism and artFeminism and art.704/.042097309045Fields Jill1954-1661317MiAaPQMiAaPQMiAaPQBOOK9910809893403321Entering the picture4069936UNINA