02558nam 2200601Ia 450 991080989250332120200520144314.00-8166-5654-1(CKB)1000000000537569(EBL)359654(OCoLC)247461911(SSID)ssj0000140553(PQKBManifestationID)11149594(PQKBTitleCode)TC0000140553(PQKBWorkID)10054839(PQKB)10609040(MiAaPQ)EBC359654(MdBmJHUP)muse38977(Au-PeEL)EBL359654(CaPaEBR)ebr10246356(CaONFJC)MIL522965(EXLCZ)99100000000053756920070504d2008 uy 0engur|n|---|||||txtccrDocumentary time film and phenomenology /Malin Wahlberg1st ed.Minneapolis University of Minnesota Pressc20081 online resource (189 p.)Visible evidence ;v. 21Description based upon print version of record.0-8166-4969-3 0-8166-4968-5 Includes bibliographical references (p. 151-164) and index.Contents; Acknowledgments; Introduction; Part I: Framing Change, Invoking the Moment; 1 The Phenomenology of Image and Time; 2 The Time-Image and the Trace; 3 Frame-Breaking Events and Motifs beyond Representation; Part II: Experimental Figures of Time; 4 The Interval and Pulse Beat of Rhythm; 5 Screen Events of Velocity and Duration; 6 Telling Signs of Loss: Beginnings of Possible Stories; 7 The Trace in Contemporary Media; Documentary Time: An Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; ZFinding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clasVisible evidence ;v. 21.Documentary filmsHistory and criticismTime in motion picturesDocumentary filmsHistory and criticism.Time in motion pictures.070.1/8Wahlberg Malin1692669MiAaPQMiAaPQMiAaPQBOOK9910809892503321Documentary time4069927UNINA