02606nam 2200661Ia 450 991080955070332120200520144314.01-282-09869-197866120986970-262-27791-31-4356-0025-8(CKB)1000000000477109(OCoLC)648314866(CaPaEBR)ebrary10188264(SSID)ssj0000264701(PQKBManifestationID)11256327(PQKBTitleCode)TC0000264701(PQKBWorkID)10290455(PQKB)10632742(MiAaPQ)EBC3338692(OCoLC)173609591(OCoLC)639683004(OCoLC)648314866(OCoLC)680631205(OCoLC)722593330(OCoLC)728031334(OCoLC)791806704(OCoLC)815776562(OCoLC)961554739(OCoLC)962614899(OCoLC)1037432539(OCoLC-P)173609591(MaCbMITP)7472(Au-PeEL)EBL3338692(CaPaEBR)ebr10188264(CaONFJC)MIL209869(OCoLC)173609591(EXLCZ)99100000000047710920061018d2007 uy 0engurcn|||||||||txtccrUnderstanding the art of sound organization /Leigh Landy1st ed.Cambridge, MA MIT Pressc20071 online resource (318 p.)Bibliographic Level Mode of Issuance: Monograph0-262-12292-8 Includes bibliographical references (p. [259]-285) and index.From intention to reception to appreciation : offering listeners some things to hold on to -- From concept to production to presentation to theory : creating "co-hear-ence" -- Toward a framework for the study of sound-based artworks.The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations.Electronic musicHistory and criticismComputer musicHistory and criticismElectro-acousticsElectronic musicHistory and criticism.Computer musicHistory and criticism.Electro-acoustics.786.7/11Landy Leigh1951-1704087MiAaPQMiAaPQMiAaPQBOOK9910809550703321Understanding the art of sound organization4089811UNINA