04081nam 2200733 a 450 991080950860332120200520144314.01-107-12433-60-511-01361-21-280-15494-20-511-11978-X0-511-15452-60-511-32841-90-511-48574-30-511-04432-1(CKB)111056485654738(EBL)202171(OCoLC)559182127(SSID)ssj0000149865(PQKBManifestationID)11150513(PQKBTitleCode)TC0000149865(PQKBWorkID)10257357(PQKB)10769484(UkCbUP)CR9780511485749(MiAaPQ)EBC202171(Au-PeEL)EBL202171(CaPaEBR)ebr10014960(CaONFJC)MIL15494(EXLCZ)9911105648565473820010314d2001 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierEthics and aesthetics in European modernist literature from the sublime to the uncanny /David Ellison1st ed.Cambridge, U.K. ;New York Cambridge University Press20011 online resource (xiv, 290 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-02516-8 0-521-80680-1 Includes bibliographical references (p. 265-277) and index.pt. 1.Kant, Romantic Irony, Unheimlichkeit.1.Border crossings in Kant.2.Kierkegaard: on the economics of living poetically.3.Freud's "Das Unheimliche": the intricacies of textual uncanniness --pt. 2.The Romantic Heritage and Modernist Fiction.4.Aesthetic redemption: the thyrsus in Nietzsche, Baudelaire, and Wagner.5.The "beautiful soul": Alan-Fournier's Le Grand Meaulnes and the aesthetics of Romanticism.6.Proust and Kafka: uncanny narrative openings.7.Textualizing immoralism: Conrad's Heart of Darkness and Gide's L'Immoraliste.8.Fishing the waters of impersonality: Virginia Woolf's To the Lighthouse.Epilogue: Narrative and music in Kafka and Blanchot: the "singing" of Josefine.David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison's study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand (Kant, Kierkegaard, Nietzsche, Freud) and imaginative literature on the other (Baudelaire, Proust, Gide, Conrad, Woolf, Kafka).Literature, Modern20th centuryHistory and criticismLiterature, Modern19th centuryHistory and criticismModernism (Literature)Ethics in literatureAesthetics in literatureLiterature, ModernHistory and criticism.Literature, ModernHistory and criticism.Modernism (Literature)Ethics in literature.Aesthetics in literature.809/.9112Ellison David R1031195MiAaPQMiAaPQMiAaPQBOOK9910809508603321Ethics and aesthetics in European modernist literature4032573UNINA