02406nam 2200565 450 991080935540332120180905032057.01-4985-2060-X(CKB)3710000000635194(EBL)4453000(OCoLC)945567295(SSID)ssj0001631071(PQKBManifestationID)16378269(PQKBTitleCode)TC0001631071(PQKBWorkID)14888453(PQKB)11017068(MiAaPQ)EBC4453000(EXLCZ)99371000000063519420160412h20162016 uy 0engur|n|---|||||txtccrChina reinterpreted staging the Other in Muromachi noh theater /Leo Shingchi YipLanham, Maryland :Lexington Books,2016.©20161 online resource (231 p.)Description based upon print version of record.1-4985-2058-8 Includes bibliographical references and index.Contents; Acknowledgments; Introduction; Chapter One: The "Auspicious Other"; Chapter Two: The "Sympathized Other" and the "Distanced Self"; Chapter Three: The "Exotic Other"; Chapter Four: The "Destructive Other"; Chapter Five: The "Harmonious Other" and the "United Self"; Conclusion; Appendix 1; Appendix 2; Bibliography; Index; About the AuthorThis book is a comprehensive study of Chinese figures and motifs in medieval Japanese noh theater. It explores the images of China and their implications constructed in the so-called "karagoto-mono" (Chinese plays) that reflect the artistic preferences, as well as the cultural and sociopolitical sentiments towards China held by Muromachi noh artists and audiences.NōNō playsHistory and criticismChinese influencesOther (Philosophy) in literatureTheaterJapanHistory15th centuryNō.Nō playsHistory and criticismChinese influences.Other (Philosophy) in literature.TheaterHistory792.0952Yip Leo Shingchi1715003MiAaPQMiAaPQMiAaPQBOOK9910809355403321China reinterpreted4109256UNINA