03517nam 2200649Ia 450 991080922980332120240314002302.01-299-46419-X0-8203-4576-8(CKB)2550000001019331(EBL)1222484(SSID)ssj0000860368(PQKBManifestationID)11470267(PQKBTitleCode)TC0000860368(PQKBWorkID)10896369(PQKB)10053830(MiAaPQ)EBC1222484(OCoLC)839305409(MdBmJHUP)muse25495(Au-PeEL)EBL1222484(CaPaEBR)ebr10684510(CaONFJC)MIL477669(EXLCZ)99255000000101933120121126d2013 uy 0engur|n|---|||||txtccrImagic moments Indigenous North American film /Lee Schweninger1st ed.Athens University of Georgia Pressc20131 online resource (xv, 247 pages) illustrationsDescription based upon print version of record.0-8203-4514-8 Includes bibliographical references, filmography and index.Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond.In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as characters in Hollywood westerns, Indian film itself has received relatively little scholarly attention. In Imagic Moments Lee Schweninger offers a much-needed corrective, examining films in which the major inspiration, the source material, and the acting are essentially Native. Schweninger looks at a selection of mostly narrative ficIndians in motion picturesIndians in the motion picture industryCanadaIndians in the motion picture industryUnited StatesMotion picturesCanadaMotion picturesUnited StatesIndians in motion pictures.Indians in the motion picture industryIndians in the motion picture industryMotion picturesMotion pictures791.43/652997Schweninger Lee1083839MiAaPQMiAaPQMiAaPQBOOK9910809229803321Imagic moments3942496UNINA