02571nam 2200493 450 991080922240332120210111185823.00-19-069815-20-19-937113-X(CKB)3420000000003299(StDuBDS)EDZ0001773498(MiAaPQ)EBC5090821(PPN)228882621(EXLCZ)99342000000000329920170831d2017 fy| 0engur|||||||||||rdacontentrdacontentrdamediardacarrierMaking music in Selznick's Hollywood /Nathan Platte[electronic resource]New York, NY :Oxford University Press,2017.1 online resource illustrations (black and white)The Oxford music/media seriesPreviously issued in print: 2017.0-19-937111-3 Includes bibliographical references and index.Iconic images from fiery scenes of catharsis in Gone With the Wind and Rebecca to The Third Man's decadent cinematography have proven inseparable from their accompanying melodies. From the 1910s-50s, producer David O. Selznick depended upon music to distinguish his films from his competitors'. By demonstrating music's value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick changed audiences' relationship to movie music. But what role did Selznick play in the actual music composition that distinguished his productions, and how was that music made? As the first of its kind to consider film music from the perspective of a producer, this book tells the story of the evolution of Selznick's style through the many artists whose work defined Hollywood sound.Oxford music/media series.Motion picture musicUnited StatesHistory and criticismMotion picture musicProduction and directionUnited StatesHistory20th centuryMotion picturesProduction and directionUnited StatesHistory20th centuryMotion picture musicHistory and criticism.Motion picture musicProduction and directionHistoryMotion picturesProduction and directionHistory781.5420973Platte Nathan1641322StDuBDSStDuBDSBOOK9910809222403321Making music in Selznick's Hollywood3985375UNINA