02803oam 2200541zu 450 991080920390332120240314015148.00-8166-8417-0(CKB)2670000000397431(SSID)ssj0000954128(PQKBManifestationID)11521930(PQKBTitleCode)TC0000954128(PQKBWorkID)10938585(PQKB)11130172(MiAaPQ)EBC1318803(EXLCZ)99267000000039743120160829d2013 uy engurcnu||||||||txtccrHumanesis : sound and technological posthumanism1st ed.[Place of publication not identified]University of Minnesota Press20131 online resource (222 pages)Posthumanities Humanesis Bibliographic Level Mode of Issuance: Monograph0-8166-7963-0 Cover -- Contents -- Acknowledgments -- Introduction: Posthumanism(s) -- PART I -- 1. From Genes to Memes: Ollivier Dyens and the Scientific Posthumanism of Darwinian Evolution -- 2. Dark Matters: An Eidolic Collision of Sound and Vision -- PART II -- 3. N. Katherine Hayles and Humanist Technological Posthumanism -- 4. The Trace: Melancholy and Posthuman Ethics -- PART III -- 5. From Affect to Affectivity: Mark B. N. Hansen's Organismic Posthumanism -- 6. Skewed Remote Musical Performance: Sounding Deconstruction -- Conclusion. Registration as Intervention: Performativity and Dominant Strains of Technological Posthumanism -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z.Humanesis critically examines central strains of posthumanism, searching out biases in the ways that human-technology coupling is explained and interrogating three approaches taken by posthumanist discourse: scientific, humanist, and organismic. David Cecchetto's investigations reveal how each perspective continues to hold on to elements of the humanist tradition that it is ostensibly mobilized against.TechnologyPhilosophy20th centuryTechnologySocial aspectsHumanismHistoryEngineering & Applied SciencesHILCCTechnology - GeneralHILCCTechnologyPhilosophyTechnologySocial aspectsHumanismHistoryEngineering & Applied SciencesTechnology - General303.48/3Cecchetto David1596538PQKBBOOK9910809203903321Humanesis : sound and technological posthumanism3917926UNINA