02982nam 2200805uu 450 991080891750332120240417201441.00-19-771556-71-280-45254-41-4237-3459-90-19-534454-51-60256-638-010.1093/oso/9780195104035.001.0001(CKB)1000000000033361(EBL)241505(OCoLC)559885383(SSID)ssj0000227096(PQKBManifestationID)11185963(PQKBTitleCode)TC0000227096(PQKBWorkID)10263667(PQKB)11721180(Au-PeEL)EBL241505(CaPaEBR)ebr10086769(CaONFJC)MIL45254(MiAaPQ)EBC241505(OCoLC)1406787877(StDuBDS)9780197715567(EXLCZ)99100000000003336119980817e20231998 |y |engur|n|---|||||txtrdacontentcrdamediacrrdacarrierPrimitivist modernism black culture and the origins of transatlantic modernism /Sieglinde Lemke[electronic resource]Oxford :Oxford University Press,2023.1 online resource (192 pages)W.E.B. DuBois Institute.Oxford scholarship online.Bibliography: p165-174. _ Includes index.Previously issued in print: 1998.0-19-510403-X Includes bibliographical references and index.Contents; Introduction: Was Modernism Passing?; 1 Studies in Black and White; 2 Picasso's ""Dusty Manikins""; 3 Whiteman's Jazz; 4 The Black Body; 5 The Black Book; Conclusion: Modernism Reconsidered; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; ZOffering an account of modernism, this text focuses on cubism, primitivist-modernism, jazz, and Josephine Baker's performance, demonstrating that black art exerted a crucial if masked presence in both Euro-American high art and popular culture.W.E.B. Du Bois Institute (Series)Oxford scholarship online.Modernism (Art)EuropeArts, EuropeanModernism (Art)United StatesArts, AmericanArts, BlackInfluenceAfrican American artsInfluenceModernism (Art)Arts, European.Modernism (Art)Arts, American.Arts, BlackInfluence.African American artsInfluence.700/.4112/08996Lemke Sieglinde989543DLCDLCUkStDuBDSZStDuBDSZBOOK9910808917503321Primitivist modernism3938780UNINA