02860nam 22007332 450 991080865160332120240509053434.00-19-772766-20-19-988175-81-280-45264-10-19-535575-X1-60256-121-42027/heb06328(CKB)1000000000363269(EBL)271183(OCoLC)567929606(SSID)ssj0000123043(PQKBManifestationID)11135350(PQKBTitleCode)TC0000123043(PQKBWorkID)10131747(PQKB)11139791(MiAaPQ)EBC271183(MiAaPQ)EBC5797806(MiAaPQ)EBC746669(Au-PeEL)EBL746669(OCoLC)782872107(dli)HEB06328(MiU)MIU01000000000000012845228(OCoLC)1406781586(StDuBDS)9780197727669(EXLCZ)99100000000036326919980220e20231998 fy 0engur|n|---|||||txtccrClassical form a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven /William E. Caplin1st ed.New York ;Oxford University Press,2023.1 online resource (xii, 307 p.)Oxford scholarship onlinePreviously issued in print: 1998.0-19-514399-X 0-19-510480-3 Includes bibliographical references (pages 289-292) and index.1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.This work introduces a theory of form for the analysis of instrumental music of the classical style. Focusing on formal function the theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form.Oxford scholarship online.Theory of formal functions for the instrumental music of Haydn, Mozart, and BeethovenInstrumental musicAnalysis, AppreciationMusical formInstrumental musicAnalysis, Appreciation.Musical form.784.18Caplin William E.781762StDuBDSStDuBDSStDuBDSZStDuBDSZBOOK9910808651603321Classical form1733656UNINA