00834nam a2200253 i 450099100036841970753620020506125711.0000704s1970 fr ||| | fre b10690293-39ule_instEXGIL144358ExLBiblioteca Interfacoltàita916.91Courty, Paul533922These de prehistoire /Paul CourtyMillau :Beffroi,1970271 p. :ill. ;20 cm.MadagascarPreistoria.b1069029302-04-1428-06-02991000368419707536LE002 St. III D 1912002000679178le002-E0.00-l- 00000.i1078440828-06-02These de prehistoire908761UNISALENTOle00201-01-00ma -frefr 0103182nam 2200697 450 991080807800332120221212044830.01-4426-9615-X1-4426-9614-110.3138/9781442696143(CKB)2550000000100908(OCoLC)794619907(CaPaEBR)ebrary10560445(SSID)ssj0000655640(PQKBManifestationID)12262252(PQKBTitleCode)TC0000655640(PQKBWorkID)10631342(PQKB)11742670(CEL)438750(CaBNVSL)slc00228884(MiAaPQ)EBC3280037(MiAaPQ)EBC4672870(DE-B1597)483218(OCoLC)1004868246(DE-B1597)9781442696143(Au-PeEL)EBL4672870(CaPaEBR)ebr11258521(OCoLC)1354203559(MdBmJHUP)musev2_105771(EXLCZ)99255000000010090820160923h20122012 uy 0engurcn||||||a||txtccrThe emblematics of the self ekphrasis and identity in Renaissance imitations of Greek romance /Elizabeth B. BeardenToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2012.©20121 online resource (273 p.)1-4426-4346-3 Includes bibliographical references and index.Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions.The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance.European literatureRenaissance, 1450-1600History and criticismEuropean literatureRenaissance, 1450-1600Greek influencesIdentity (Philosophical concept) in literatureEkphrasisEuropean literatureHistory and criticism.European literatureGreek influences.Identity (Philosophical concept) in literature.Ekphrasis.809.031Bearden Elizabeth B.1975-1652961MiAaPQMiAaPQMiAaPQBOOK9910808078003321The emblematics of the self4003945UNINA