02402nam 2200541Ia 450 991080790590332120240313051251.01-283-63931-90-8108-8573-5(CKB)2670000000275411(EBL)1037812(SSID)ssj0000756106(PQKBManifestationID)12295217(PQKBTitleCode)TC0000756106(PQKBWorkID)10732666(PQKB)10004133(MiAaPQ)EBC1037812(Au-PeEL)EBL1037812(CaPaEBR)ebr10610909(CaONFJC)MIL395177(OCoLC)813396780(EXLCZ)99267000000027541120120523d2012 uy 0engur|n|---|||||txtccrThe Jarmusch way spirituality and imagination in Dead man, Ghost dog, and The limits of control /Julian Rice1st ed.Lanham, MD Scarecrow Press, Inc.20121 online resource (337 p.)Description based upon print version of record.0-8108-8572-7 Includes bibliographical references and index.Contents; Acknowledgments; Chapter 01. Introduction; Chapter 02. Dead Man; Chapter 03. Ghost Dog: The Way of the Samurai; Chapter 04. The Limits of Control; Bibliography; Index; About the AuthorSince the early 1980s, Jim Jarmusch has produced a handful of idiosyncratic films that have established him as one of the most imaginatively allusive directors in the history of American cinema. Three of his films-Dead Man (1995), Ghost Dog (1999), and The Limits of Control (2009)-demonstrate the director's unique take on Eastern and Aboriginal spirituality. In The Jarmusch Way, Julian Rice looks closely at these three films and explores their relation to Eastern philosophy and particular works of Western literature, painting, and cinema. Making a case that this director deserves far more seriMotion picture producers and directorsBiographyMotion picture producers and directors791.43023/3092Rice Julian1940-1680411MiAaPQMiAaPQMiAaPQBOOK9910807905903321The Jarmusch way4049099UNINA