02681nam 2200637Ia 450 991080766650332120200520144314.01-280-67810-097866136550351-61168-382-3(CKB)2560000000082859(EBL)1085134(OCoLC)823388691(SSID)ssj0000276513(PQKBManifestationID)11231490(PQKBTitleCode)TC0000276513(PQKBWorkID)10226608(PQKB)11564041(MiAaPQ)EBC1085134(OCoLC)794669939(MdBmJHUP)muse32020(Au-PeEL)EBL1085134(CaPaEBR)ebr10569251(CaONFJC)MIL365503(EXLCZ)99256000000008285920060726d2006 uy 0engurcn|||||||||txtccrThe cinematic mode of production attention economy and the society of the spectacle /Jonathan Beller1st ed.Hanover, N.H. Dartmouth College Press University Press of New Englandc20061 online resource (349 p.)Interfaces, studies in visual cultureDescription based upon print version of record.1-58465-582-8 Includes bibliographical references and index.Title Page; Dedication; Contents; Acknowledgments; Abbreviations; Introduction: The Political Economy of the Postmodern; Part I; 1 | Circulation: Dziga Vertov and the Film of Money; 2 | Production: The Spectatorship of the Proletariat; 3 | The Unconscious: The Unconscious of the Unconscious, or, The Work of Consciousness in the Age of Technological Imagination; Part II; 4 | Inspiration of Objects, Expiration of Words: Cinema, Capital of the Twentieth Century; 5 | The Pyrotechnics of Control: Numismatics of the Sensual, Calculus of the Image6 | Proprioception: Killer-Eye, Killer World: The Media-Environmentfor Natural Born KillersEpilogue: Paying Attention; IndexA revolutionary reconceptualization of capital and perception during the twentieth century.Interfaces, studies in visual culture.Motion picture industryMotion picturesPhilosophyMotion picture industry.Motion picturesPhilosophy.791.4301Beller Jonathan705855MiAaPQMiAaPQMiAaPQBOOK9910807666503321The cinematic mode of production3957100UNINA