02917nam 2200613 a 450 991080764050332120200520144314.00-8166-9066-9(CKB)1000000000346932(EBL)310656(OCoLC)476095480(SSID)ssj0000133244(PQKBManifestationID)11136355(PQKBTitleCode)TC0000133244(PQKBWorkID)10046524(PQKB)11628520(MiAaPQ)EBC310656(OCoLC)77560454(MdBmJHUP)muse39008(Au-PeEL)EBL310656(CaPaEBR)ebr10151264(CaONFJC)MIL522704(EXLCZ)99100000000034693220030910d2003 ub 0engur|n|---|||||txtccrCuban cinema /Michael Chanan1st ed.Minneapolis University of Minnesota Pressc20031 online resource (558 p.)Cultural studies of the Americas ;14Originally published: The Cuban image. London : British Film Institute ; Bloomington, Ind. : Indiana University Press, 1985.0-8166-3424-6 0-8166-3423-8 Includes bibliographical references and index.Pt. I. Before the Revolution: cinema at the margins ; 1. For the first time ; 2. Back to the beginning ; 3. The nineteenth-century heritage ; 4. Melodrama and white horses ; 5. Amateurs and militants -- pt. II. The Revolution takes power: a cinema of euphoria ; 6. The coming of socialism ; 7. The first feature films ; 8. Beyond neorealism ; 9. The documentary in the Revolution ; 10. The Revolution in the documentary ; 11. The current of experimentalism ; 12. Four films ; 13. Imperfect cinema and the seventies ; 14. One way or another -- pt. III. New generations: a cinema of readjustment ; 15. Reconnecting ; 16. Return of the popular ; 17. Wonderland.Michael Chanan provides a comprehensive and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba's social, political, and cultural history. The only book-length study of Cuban cinema written in English, this indispensable work offers a unique perspective on the Cuban experience in the twentieth century.Cultural studies of the Americas ;v. 14.Motion picturesCubaHistoryMotion picturesSocial aspectsCubaMotion picturesHistory.Motion picturesSocial aspects791.43/097291Chanan Michael702112MiAaPQMiAaPQMiAaPQBOOK9910807640503321Cuban cinema4019657UNINA