02167nam2 2200469 i 450 CFI056473820231121125455.08804513535IT2003-12947 20040511d2003 ||||0itac50 baitagrcgrcitz01i xxxe z01nFilotteteSofocleintroduzione e commento di Pietro Puccitesto critico a cura di Guido Avezzùtraduzione di Giovanni Cerri2. ed\Milano!Fondazione Lorenzo VallaA. Mondadori2003XCII, 358 p.21 cmTesto orig. a fronte.001MIL06064842001 Tragedie e frammentiSofoclePhiloctetesTO00335684CFIV0012931479144SophoclesCFIV001293070439098Cerri, Giovanni <1940-2021>CFIV206692Avezzù, GuidoLO1V031604Pucci, PietroMILV086629SofocleCFIV001294SophoclesSophoklesMUSV061733SophoclesSofoklīsSBNV084571SophoclesITIT-0120040511IT-RM028 IT-RM0289 IT-RM0290 IT-RM0313 IT-RM0418 IT-FR0084 IT-FR0017 Biblioteca Universitaria AlessandrinaRM028 Biblioteca Statale A. BaldiniRM0289 BIBLIOTECA ANGELICARM0290 BIBLIOTECA CASANATENSERM0313 BIBLIOTECA ACCADEMIA NAZ. DEI LINCEI E CORSINIANARM0418 NBiblioteca Del Monumento Nazionale Di MontecassinoFR0084 Biblioteca umanistica Giorgio ApreaFR0017 CFI0564738Biblioteca umanistica Giorgio Aprea 52MAG 2 Coll T 73.1* 52FLS0000266275 VMN RS A 2013111920131119 52MAG 2 Coll T 73.1 52FLS0000256225 VMN RS A 2014092320140923 01 04 06 07 10 25 52Philoctetes1479144UNICAS01170nam0 22002771i 450 UON0022743220231205103443.46420030730d1965 |0itac50 baitaIT|||| ||||| Camille PissarroLaura MalvanoMilanoFratelli Fabbri1965. [6] p.XVI p. di tav. col.ill. ; 36 cm.Dono Prof.ssa VivarelliIT-UONSI ARTEAUT.M.d.C. 070001UON001764892001 ˆI ‰ maestri del colore210 MilanoFratelli Fabbri Editori.70PISSARRO CAMILLEUONC049073FIITMilanoUONL000005759.44Pittura. Storia, geografia, persone. Francia21MALVANOL.UONV116528678876Fratelli FabbriUONV246758650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00227432SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI ARTE AUT. M.d.C. 070 SI FP 11240 7 Dono Prof.ssa VivarelliCamille Pissarro1271305UNIOR04861nam 2200817 450 991080761350332120191015111955.01-350-98759-X1-83860-898-21-83860-899-010.5040/9781350987593(CKB)4100000008524986(MiAaPQ)EBC5798166(MiAaPQ)EBC6161298(CaBNVSL)mat50987593(OCoLC)1139315260(CaBNVSL)9781350987593(EXLCZ)99410000000852498620191015e20192018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierPositive images gay men & HIV/AIDS in the culture of 'post crisis' /Dion KaganFirst edition.London, England :I.B. Tauris & Co. Ltd,2018.London, England :Bloomsbury Publishing,2019.1 online resource (316 pages)Library of gender and popular culture ;141-78453-419-6 Includes bibliographical references (pages 267-283), filmography (pages 284-286), and index.Belated Diagnosis -- Crisis/Post-Crisis -- 'Post-Crisis -- Chapter Outline -- Crisis Discourse -- After Antiretrovirals -- Gay Redemption: Domestication and Disavowal in The Gay 90s -- 'The Big A' -- The Gay 90s Revisited -- Abjection and AIDS -- The Next Best Thing -- Watering, Working and Not Wearing Much -- Look What Happened to Me -- Abject Lessons -- Positive Men Are from Mars, Negative Men Are from Venus: Sero-Melodrama in Queer As Folk -- 'Sero-melodrama' -- How Queer is Queer as Folk? -- Perfect, Except for One Thing -- Positive Men Are from Mars, Negative Men Are from Venus -- Melodrama, Narrative Complexity and Post-Crisis Ambivalence -- Crisis Re-Runs: Barebacking, Chemsex and Post-Crisis Sex Panic -- Chemsex -- Déjà vu -- What is Barebacking? -- The Neal Hearings -- 'HIV Man' -- 'Re-Crisis' -- Neoliberal Biopolitics and the Logic of Epidemic -- Ambivalent Afterlives -- AIDS Heritage in the Line of Beauty -- Queer High Pop Heritage -- The Heritage Debates -- Heritage Ga(y)ze -- Homeless Love -- Belonging -- Eviction -- AIDS Heritage and Post-Crisis -- AIDS Retrovisions: Dallas Buyers Club and the Normal Heart -- Turning Away -- Turning Back -- Updating Sentimental Melodrama in Dallas Buyers Club -- After the Orgy: The Normal Heart as Teleological AIDS History -- Backward/Forward.A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 90s. With the advent of antiretroviral drugs, however, the meaning of an HIV diagnosis changed radically. These transformative drugs enable people living with HIV to lead a healthy, regular life. But how has this shift impacted the representation of gay men and HIV in popular culture? Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, Dion Kagan examines literature and visual culture across the English-speaking world to unearth the socio-cultural foundations underpinning the 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS crisis and its continued presence in the modern queer consciousness--back cover.Library of gender and popular culture ;14.Gay men & HIV/AIDS in the culture of 'post crisis'AIDS (Disease) in mass mediaAIDS (Disease)Social aspectsGay men in mass mediaGays in popular cultureHIV (Viruses)Social aspectsHIV infectionsSocial aspectsHIV / AIDS: social aspectsHomosexuality, MalepsychologyAcquired Immunodeficiency SyndromepsychologyAttitude to HealthMass MediaPopular CultureSocial IdentificationAIDS (Disease) in mass media.AIDS (Disease)Social aspects.Gay men in mass media.Gays in popular culture.HIV (Viruses)Social aspects.HIV infectionsSocial aspects.Homosexuality, Malepsychology.Acquired Immunodeficiency Syndromepsychology.Attitude to Health.Mass Media.Popular Culture.Social Identification.362.19697/9200811Kagan Dion1593829Bloomsbury (Firm),NLMCaBNVSLCaBNVSLBOOK9910807613503321Positive images3914139UNINA