02347oam 2200505 450 991080746870332120230814225023.01-55379-774-4(CKB)4100000007101761(Au-PeEL)EBL5493224(CaPaEBR)ebr11625782(OCoLC)1059413606(MiAaPQ)EBC5493224(EXLCZ)99410000000710176120181115d2018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierPotlatch as pedagogy learning through ceremony /Sara Florence Davidson and Robert DavidsonWinnipeg, Manitoba :Portage & Main Press,[2018]©20181 online resource (96 pages)1-55379-773-6 Includes bibliographical references, pages 79-80.Two working together -- The story of sk'ad'a -- "We were once silenced" -- Celebrating one more time in a way they knew how -- "That pole doesn't belong to you anymore" -- Born "in the nick of time" -- Potlatch as Pedagogy.Banned for 67 years by the Canadian government, the potlatch, the foundational ceremony of the Haida people, determined social structure, transmitted cultural knowledge, and redistributed wealth. When these public ceremonies were revived in 1969 by the Elders who collectively remembered the historical ways, the potlatch was embraced by a new generation, who reclaimed practices that had almost been lost forever. Sara Florence Davidson, an educator, saw how these traditions, learned from her father, renowned artist Robert Davidson, could be integrated into contemporary educational practices.PotlatchBritish ColumbiaHaida IndiansEducationBritish ColumbiaHaida IndiansBritish ColumbiaRites and ceremoniesPotlatchHaida IndiansEducationHaida IndiansRites and ceremonies.394.2089974Davidson Sara1976-1724069Davidson Robert1946-MiAaPQMiAaPQMiAaPQCaOLHBOOK9910807468703321Potlatch as pedagogy4125838UNINA