02508nam 2200613Ia 450 991080722680332120200520144314.01-283-95421-41-283-95811-21-78042-977-0(CKB)2670000000209868(EBL)915175(OCoLC)793996505(SSID)ssj0000662557(PQKBManifestationID)12277908(PQKBTitleCode)TC0000662557(PQKBWorkID)10721303(PQKB)10662362(MiAaPQ)EBC915175(Au-PeEL)EBL915175(CaPaEBR)ebr10622074(CaONFJC)MIL426671(PPN)197277780(EXLCZ)99267000000020986820060612d2006 by 0engur|n|---|||||txtccrGreek sculpture its spirit and its principles /Edmund von Mach1st ed.New York Parkstone20061 online resource (256 p.)Temporis collectionDescription based upon print version of record.1-85995-041-8 Includes bibliographical references and index.INTRODUCTION; FUNDAMENTAL CONSIDERATIONS; ART CONDITIONS BEFORE THE 7thCENTURY B.C. AND EARLY IGNORANCE; EARLY GREEK SCULPTURE; TRANSITIONAL PERIOD; THE PARTHENON; THE GREEK IDEAL; AUTUMN DAYS; NOTES; BIBLIOGRAPHY; LIST OF ILLUSTRATIONSGreek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection. It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature. Only a small part of the production of Greek Sculpture is known to us. Many of the masterpieces described by Antique literature are henceforth lost or badly damaged, and a large part, we know are copies, more or less skillful and faithful to the Roman era. Many have been restored by Western Sculptors, from tTemporisSculpture, GreekSculptorsGreeceSculpture, Greek.Sculptors722.8Mach Edmund von1870-1927.1693684MiAaPQMiAaPQMiAaPQBOOK9910807226803321Greek sculpture4071667UNINA