02714nam 2200577Ia 450 991080716870332120200520144314.01-283-95414-11-78042-986-X(CKB)2670000000209883(EBL)915219(OCoLC)793996524(SSID)ssj0000827499(PQKBManifestationID)12362793(PQKBTitleCode)TC0000827499(PQKBWorkID)10829264(PQKB)10918112(MiAaPQ)EBC915219(Au-PeEL)EBL915219(CaPaEBR)ebr10622079(CaONFJC)MIL426664(PPN)197274218(EXLCZ)99267000000020988320080314d2007 uy 0engur|n|---|||||txtccrHans Memling /[Alfred Michiels ; translation, Sarah Whorton and Andrew Byrd]1st ed.New York Parkstone Pressc20071 online resource (256 p.)Temporis collectionIncludes index.1-84484-553-2 Includes bibliographical references and index.Contents; Foreword; I. Memling's Origins and Beginnings; II. Memling between History andLegend; Popular Traditions; First-hand Information; III. Memling's Old Age and Genius; IV. Memling's Major Works; Works Conserved in Belgium; Works kept outside of Belgium; Memling the Miniaturist; V. Master Memling, betweenInfluences and Authentications; The Students of Memling; The Authentic Works of Memling; Works attributed to Memling; False Attributions; The Lost Paintings; Notes; IndexBorn in Selingenstadt, Memling (1430/40-1494) left his native Germany to settle in Bruges in 1465, where the death of his supposed teacher, Rogier van der Weyden, left a near absence of competition. Unlike one of his predecessors, Van Eyck, Memling, considered a minor artist for a long time, was not a painter of the court, but of the bourgeoisie. A man recognized and respected by the end of his life for his enormous talent, he amassed one of greatest fortunes in the city.Forgotten during the 17th and the 18th centuries, Memling is nowadays regarded as one of the greatest painters of the UnitedTemporisPainting, Belgian15th centuryHistory and criticismPainting, BelgianHistory and criticism.759.94931Michiels Alfred1813-1892.1090533MiAaPQMiAaPQMiAaPQBOOK9910807168703321Hans Memling4114036UNINA