02570nam2 2200469 i 450 VAN002977620231214122841.893978-03-87909-99-820061107d1985 |0itac50 baengUS|||| |||||Volume 1Martin Golubitsky, David G. SchaefferNew YorkSpringer1985XVII, 463 p.ill.25 cm001VAN00237172001 Applied mathematical sciences210 Berlin [etc]Springer51001VAN00297732001 Singularities and groups in bifurcation theoryMartin Golubitsky, David G. Schaeffer210 New YorkSpringer-Verlag215 2 volumi25 cm135-XXPartial differential equations [MSC 2020]VANC019763MF34D30Structural stability and analogous concepts of solutions to ordinary differential equation [MSC 2020]VANC022362MF34D20Stability of solutions to ordinary differential equation [MSC 2020]VANC022916MF76LxxShock waves and blast waves in fluid mechanics [MSC 2020]VANC023551MF34D05Asymptotic properties of solutions to ordinary differential equation [MSC 2020]VANC023746MF35L67Shocks and singularities for hyperbolic equations [MSC 2020]VANC023749MF57R45Singularities of differentiable mappings in differential topology [MSC 2020]VANC024088MF35B32Bifurcation in context of PDEs [MSC 2020]VANC024272MF74M20Impact in solid mechanics [MSC 2020]VANC024274MF37GxxLocal and nonlocal bifurcation theory for dynamical systems [MSC 2020]VANC025524MFAreaKW:KBifurcationsKW:KGroup theoryKW:KGroupsKW:KUSNew YorkVANL000011GolubitskyMartinVANV03635021354SchaefferDavid G.VANV04385821355Schaeffer, D. G.Schaeffer, David G.VANV106318ITSOL20231215RICA/sebina/repository/catalogazione/documenti/Golubitsky, Schaeffer - Singularities and groups in bifurcation theory volume I.pdfContentsBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICAIT-CE0120VAN08VAN0029776BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA08PREST 34-XX 1670 08 2742 I 20061107 Volume 13596759UNICAMPANIA03896oam 2200637 a 450 991080714510332120231222173223.00-674-06097-010.4159/harvard.9780674060975(CKB)2550000000051267(EBL)3300967(SSID)ssj0000564536(PQKBManifestationID)11380285(PQKBTitleCode)TC0000564536(PQKBWorkID)10602604(PQKB)11603606(MiAaPQ)EBC3300967(DE-B1597)178229(OCoLC)759158609(OCoLC)840439894(DE-B1597)9780674060975(Au-PeEL)EBL3300967(CaPaEBR)ebr10492933(dli)HEB32234(MiU) MIU01100000000000000000214(EXLCZ)99255000000005126720100907d2011 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierGiotto and his publics three paradigms of patronage /Julian GardnerCambridge, Mass. :Harvard University Press,2011.1 online resource (256 pages)Bernard Berenson lectures on the Italian Renaissance0-674-05080-0 Includes bibliographical references and index.Introduction -- Giotto at Pisa : the Stigmatization for San Francesco -- Giotto among the money-changers : the Bardi Chapel in Santa Croce -- The lull before the storm : the Vele in the lower church at Assisi -- Conclusion -- Appendix : inscriptions of the Vele -- Chronology.This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi. These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto's frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.Bernard Berenson lectures on the Italian Renaissance.Giotto & his publicsThree paradigms of patronageArt patronageItalyHistoryTo 1500Art patronageHistory759.521.02bclGardner Julian241617Giotto1266?-1337.212708MiAaPQMiAaPQMiAaPQBOOK9910807145103321Giotto and his publics3951968UNINA