02532nam 2200613Ia 450 991080705110332120200520144314.01-322-41886-11-4129-0558-31-4522-6705-7(CKB)2550000000108049(EBL)996738(OCoLC)809772507(SSID)ssj0000675785(PQKBManifestationID)12311539(PQKBTitleCode)TC0000675785(PQKBWorkID)10677520(PQKB)10808930(MiAaPQ)EBC996738(OCoLC)607772007(StDuBDS)EDZ0000063721(EXLCZ)99255000000010804920050128d2006 uy 0engur|||||||||||txtccrOpening acts performance in/as communication and cultural studies /Judith Hamera, editor1st ed.Thousand Oaks Sage Publicationsc20061 online resource (viii, 280 p.)Description based upon print version of record.1-4522-3307-1 1-4129-0557-5 Includes bibliographical references and index.Cover; Contents; Introduction: Opening Opening Acts; Part I: Engaging the Everyday; 1 - Becoming Other-Wise; 2 - Telling Twisted Tales; Part II: Animating Locations; Introduction; 3 - Bridging Haunted Places; 4 - Looking for Stonewall's Arm; Part III: Interrogating Histories; Introduction; 5 - Rethinking Elocution; 6 - Diverging Paths in Performance Genealogies; Part IV: Synthesizing Scholarship; Introduction; 7 - The Mechanical Bride of Yonville-l'Abbaye (Batteries Not Included); Part V: Embracing Performances; Introduction; 8 - Performing Theory/Embodied Writing; About the EditorAbout the Contributors'Opening Acts' offers new ways to analyze communication & culture through performance, offering cutting edge readings of everyday life, space, history, & the intersections of all three using a critical performance-based approach.CommunicationSocial aspectsCultureDialecticCommunicationSocial aspects.Culture.Dialectic.302.2/01Hamera Judith1609030MiAaPQMiAaPQMiAaPQBOOK9910807051103321Opening acts4044658UNINA