03549nam 2200625 450 991079894550332120201023111955.01-5013-1065-81-5013-1063-110.5040/9781501310652(CKB)3710000000929735(MiAaPQ)EBC4731282(OCoLC)1201427153(CaBNVSL)mat01310652(CaBNVSL)9781501310652(EXLCZ)99371000000092973520201023d2020 uy 0engurcnu||||||||rdacontentrdamediardacarrierSonic technologies popular music, digital culture and the creative process /Robert StrachanLondon, England :Bloomsbury Academic,2020.London, England :Bloomsbury Publishing,20201 online resource (205 pages)1-5013-1061-5 Includes bibliographical references.Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index."Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."--Provided by publisher.Popular musicPhilosophy and aestheticsPopular musicProduction and directionComputer musicHistory and criticismElectronic musicHistory and criticismDigital audio editorsCreation (Literary, artistic, etc.)Music and technologyMusic recording & reproductionbicsscPopular musicPhilosophy and aesthetics.Popular musicProduction and direction.Computer musicHistory and criticism.Electronic musicHistory and criticism.Digital audio editors.Creation (Literary, artistic, etc.)Music and technology.Music recording & reproduction786.7/16411Strachan Robert1469542DLCCaBNVSLCaBNVSLBOOK9910798945503321Sonic technologies3681046UNINA