03702nam 2200541 450 991079869690332120160910090028.01-78533-182-510.1515/9781785331824(CKB)3710000000830395(MiAaPQ)EBC4337983(DE-B1597)636449(DE-B1597)9781785331824(EXLCZ)99371000000083039520160903h20162016 uy 0engurcnu||||||||rdacontentrdamediardacarrierCreativity in transition politics and aesthetics of cultural production across the globe /edited by Marus̆ka Svas̆ek and Birgit MeyerNew York, [New York] ;Oxford, [England] :Berghahn Books,2016.©20161 online resource (366 pages)Material Mediations: People and Things in a World of Movement1-78533-181-7 Includes bibliographical references at the end of each chapters and index.Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Creativity and Innovation in a World of Movement -- 1 African Lace: Agency and Transcontinental Interaction in Textile Design -- 2 Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art -- 3 THE SOCIAL LIFE OF KOTTAN Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India -- 4 Art and the Making of the Creative City of Chennai, India -- 5 Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, Argentina -- 6 Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway -- 7 ‘We Paint Our Way and the Christian Way Together’ Transforming Yolngu and Ngan’gi Art through Creative Ancestral-Christian Practice -- 8 Undoing Absence through Things: Creative Appropriation and Affective Engagement in an Indian Transnational Setting -- 9 ‘The Eye Likes It’ National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus -- 10 Narratives, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, Brazil -- 11 The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana -- Afterword: Creativity in Transition -- IndexIn an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ‘innovation’ in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.Material mediations ;Volume 6.Creation (Literary, artistic, etc.)Social aspectsOriginality (Aesthetics)Material cultureSocial aspectsCulture and globalizationCreation (Literary, artistic, etc.)Social aspects.Originality (Aesthetics)Material cultureSocial aspects.Culture and globalization.306.4/7Svasek MaruskaMeyer BirgitMiAaPQMiAaPQMiAaPQBOOK9910798696903321Creativity in transition3837981UNINA