00884nam0 2200265 450 00002313120081117115336.020081117d1950----km-y0itaa50------baengUSFloodtideFrank YerbyN.Y.Dial Pressc1950342 p.22 cm.813.5(21. ed.)Narrativa americana in inglese. 1900-1999Yerby,Frank444049ITUniversità della Basilicata - B.I.A.RICAunimarc000023131Floodtide87425UNIBASLETTERESTD0710120081117BAS011153ATR4020100223BAS010854ATR4020100305BAS010954BAS01BAS01BOOKBASA1Polo Storico-UmanisticoFAAFondo anglo-americanoFM/51485148L51482008111704Prestabile Didattica01396nam 2200385Ia 450 991069878240332120090709094900.0(CKB)5470000002396030(OCoLC)423364969(EXLCZ)99547000000239603020090709d2009 ua 0engurmn|||||||||txtrdacontentcrdamediacrrdacarrierUsing HFire for spatial modeling of fire in shrublands[electronic resource] /Seth H. Peterson ... [and others]Albany, CA :U.S. Dept. of Agriculture, Forest Service, Pacific Southwest Research Station,[2009]44 pages, 1 unnumbered page digital, PDF fileResearch paper PSW-RP ;259Title from title screen (viewed July 9, 2009)."January 2009."Includes bibliographical references (pages 39-44).WildfiresComputer simulationFlame spreadComputer simulationWildfiresComputer simulation.Flame spreadComputer simulation.Peterson Seth H1405070Pacific Southwest Research Station.GPOGPOBOOK9910698782403321Using HFire for spatial modeling of fire in shrublands3480917UNINA05379oam 22007214a 450 991079836760332120221024201201.00-295-80687-7(CKB)3710000000666302(EBL)4649028(SSID)ssj0001673083(PQKBManifestationID)16471513(PQKBTitleCode)TC0001673083(PQKBWorkID)14271444(PQKB)11272736(Au-PeEL)EBL4649028(CaPaEBR)ebr11249919(CaONFJC)MIL923194(OCoLC)949885150(MdBmJHUP)musev2_81483(MiAaPQ)EBC4649028(EXLCZ)99371000000066630220160517d2013 uy 0engur|n|---|||||txtccrMorris GravesSelected Letters /edited by Vicki Halper and Lawrence FongSeattle, Washington ;London, [England] :University of Washington Press,2013.©20131 online resource (325 p.)McLellan Endowed Series"A McLellan book."0-295-99214-X Cover; Contents; Introduction; PART ONE -- PEOPLE; 1. Family; 2. Friends; 3. Intimacy; PART TWO -- PLACES; 4. Nesting; 5. Flying; PART THREE -- ART; 6. Money; 7. Meaning; Acknowledgments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y."Morris Graves is a major American painter with roots in the Pacific Northwest. Morris Graves: Selected Letters draws on a vast cache of the his unpublished correspondence, dating from his teenage years until his death in 2001. Few visual artists of any era have left such a rich and wide-ranging collections of letters, which makes this body of work an unusual and valuable document in American art. The Graves correspondence is remarkable for its scope, variety, and depth. Written to many correspondents over long periods of time, the letters include the artist's reflections on his art, the art world, philosophy (Zen Buddhism and Vedanta in particular), architecture (Graves designed his homes and gardens), and relationships with family, friends, and lovers. Graves himself preserved most of the letters, or copies of them, and put no restrictions on their use. Other letters come from a wide range of private and institutional sources. Among the correspondents are Graves's family; Marian Willard, his art dealer; Richard Svare, his companion in the 1950s; and Nancy Wilson Ross, novelist and Buddhist scholar. Other notable figures with whom Graves corresponded are poet Carolyn Kizer, art critic Theodore Wolff, curator Peter Selz, choreographer Merce Cunningham (for whom Graves created a set design), and painter Mark Tobey. Recurrent themes in the Graves letters are the tensions between sociability and solitude; the desire to be free of the material world versus the need for material comfort; the dismissal of commerce and the desperate need for money; the pleasures and pitfalls of love; and the difficulties of the creative life. The letters are organized topically under the broad categories of people (family, friends, intimates), places (homes and travels), and art (finances and philosophy). Independent curator Vicki Halper knew Graves toward the end of his life through her work as a modern art curator at the Seattle Art Museum. Lawrence Fong is the curator of American and regional art at the University of Oregon's Jordan Schnitzer Museum of Art. "A lively, valuable first-person resource by one of the region's most acclaimed artists. This collection of letters is refreshing for the fuller picture it provides of Graves's thoughts and actions. The notes identifying people and places in the correspondence are beautifully distilled, providing just enough to locate the letters without distracting from them."--Barbara Johns, author of Paul Horiuchi: East and West and Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita"This book is the essence of the rare written work of one of the most interesting artists of twentieth-century America. He is not only one of the essential figures in the American Northwest but also one of the leading artists between the Asian and western world."--Wulf Herzogenrath, Director, Kunsthalle Bremen"--Provided by publisher.McLellan Endowed SeriesPaintersfast(OCoLC)fst01050530ARTHistoryGeneralbisacshARTAmericanGeneralbisacshARTHistoryContemporary (1945- )bisacshLITERARY COLLECTIONSLettersbisacshPaintersUnited StatesCorrespondenceUnited StatesfastPersonal correspondence.Painters.ARTHistoryGeneral.ARTAmericanGeneral.ARTHistoryContemporary (1945- )LITERARY COLLECTIONSLetters.Painters759.13LCO011000ART015110ART015020bisacshGraves Morris1910-2001.1480836Fong Lawrence M.Halper VickiMdBmJHUPMdBmJHUPBOOK9910798367603321Morris Graves3697635UNINA