02706nam 2200493 450 991079818470332120230808191612.01-4725-0638-3(CKB)3710000000595897(EBL)4403161(MiAaPQ)EBC4403161(EXLCZ)99371000000059589720160218h20162016 uy 0engur|n|---|||||rdacontentrdamediardacarrierDisability theatre and modern drama recasting modernism /Kirsty JohnstonLondon, England :Bloomsbury Methuen Drama,2016.©20161 online resource (241 p.)Critical Companions SeriesDescription based upon print version of record.1-4081-8449-4 Includes bibliographical references and index.Cover page ; Halftitle page ; Series page ; Title page ; Copyright page ; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; Organization of the Work; PART I CRITICAL SURVEY OF DISABILITY THEATRE AESTHETICS, POLITICS, AND PRACTICES; CHAPTER 1 WHAT IS DISABILITY THEATRE?; Disability arts and culture; Disability theatre; Keywords; CHAPTER 2 CRITICAL EMBODIMENT AND CASTING; Embodying realism; CHAPTER 3 STAGING INCLUSION; CHAPTER 4 INHERITED PLAYS AND NEW APPROACHES; Graeae Theatre Company: Origins; Graeae's Blood Wedding; Graeae's The Threepenny Opera; Theatre Workshop Scotland and Beckett's EndgameConclusionPART II CRITICAL PERSPECTIVES; CHAPTER 5 "EVERY MAN HIS SPECIALTY": BECKETT, DISABILITY, AND DEPENDENCE; I "To decompose is to live, too"; II "What a curse, mobility!"; III "No more nature"; IV Dependent rational animals; CHAPTER 6 RECLAIMING THE ORDINARY EXTRAORDINARY BODY: OR, THE IMPORTANCE OF THE GLASS MENAGERIE FOR LITERARY DISABILITY STUDIES; CHAPTER 7 ACCESS AESTHETICS AND MODERN DRAMA: AN INTERVIEW WITH JENNY SEALEY ON GRAEAE THEATRE COMPANY'S THE THREEPENNY OPERA AND BLOOD WEDDING; CHAPTER 8 SHATTERING THE GLASS MENAGERIE; NOTES; BIBLIOGRAPHY; NOTES ON CONTRIBUTORS; INDEXCritical companions (Methuen Drama)People with disabilities in literatureModernism (Literature)Drama20th centuryHistory and criticismPeople with disabilities in literature.Modernism (Literature)DramaHistory and criticism.792Johnston Kirsty1536248MiAaPQMiAaPQMiAaPQBOOK9910798184703321Disability theatre and modern drama3784878UNINA