02141nam 2200517 450 991079799710332120200520144314.01-4529-4494-6(CKB)3710000000530100(EBL)4391792(MiAaPQ)EBC4391792(Au-PeEL)EBL4391792(CaPaEBR)ebr11152963(CaONFJC)MIL876927(OCoLC)933420385(EXLCZ)99371000000053010020160218h20162016 uy 0engur|n|---|||||rdacontentrdamediardacarrierBecoming past history in contemporary art /Jane BlockerMinneapolis, Minnesota ;London, [England] :University of Minnesota Press,2016.20161 online resource (246 p.)Description based upon print version of record.0-8166-9698-5 Includes bibliographical references and index.Cover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Alÿs and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; VWYArts and historyArts, Modern20th centuryThemes, motivesArts, Modern21st centuryThemes, motivesArts and history.Arts, ModernThemes, motives.Arts, ModernThemes, motives.700.9Blocker Jane1482638MiAaPQMiAaPQMiAaPQBOOK9910797997103321Becoming past3700411UNINA