04407nam 2200637 450 991079779680332120230807193645.01-4773-0741-910.7560/307403(CKB)3710000000491755(EBL)4401776(SSID)ssj0001570137(PQKBManifestationID)16221927(PQKBTitleCode)TC0001570137(PQKBWorkID)12885595(PQKB)11733099(MiAaPQ)EBC4401776(DE-B1597)587024(DE-B1597)9781477307410(EXLCZ)99371000000049175520160915h20152015 uy 0engur|n|---|||||txtccrDirty words & filthy pictures film and the First Amendment /Jeremy Geltzer ; foreword by Alex KozinskiFirst edition.Austin, [Texas] :University of Texas Press,2015.©20151 online resource (385 p.)Description based upon print version of record.1-4773-0740-0 Includes bibliographical references and index.Boxing, porn, and the beginnings of movie censorship -- The rise of salacious cinema -- State regulations emerge -- Mutual and the capacity for evil -- War, nudity, and birth control -- Self-regulation reemerges -- Midnight movies and sanctioned cinema -- Sound enters the debate -- Tension increases between free speech and state censorship -- Threats from abroad and domestic disturbances -- Outlaws and miracles -- State censorship statutes on the defense -- Devil in the details : film and the Fourth and Fifth Amendments -- Dirty words : profanity and the patently offensive -- Filthy pictures : obscenity from nudie cuties to fetish films -- The porno chic : from Danish loops to Deep throat -- Just not here : content regulation through zoning -- Is censorship necessary? -- The politics of profanity.From the earliest days of cinema, scandalous films such as The Kiss (1896) attracted audiences eager to see provocative images on screen. With controversial content, motion pictures challenged social norms and prevailing laws at the intersection of art and entertainment. Today, the First Amendment protects a wide range of free speech, but this wasn’t always the case. For the first fifty years, movies could be censored and banned by city and state officials charged with protecting the moral fabric of their communities. Once film was embraced under the First Amendment by the Supreme Court’s Miracle decision in 1952, new problems pushed notions of acceptable content even further. Dirty Words & Filthy Pictures explores movies that changed the law and resulted in greater creative freedom for all. Relying on primary sources that include court decisions, contemporary periodicals, state censorship ordinances, and studio production codes, Jeremy Geltzer offers a comprehensive and fascinating history of cinema and free speech, from the earliest films of Thomas Edison to the impact of pornography and the Internet. With incisive case studies of risqué pictures, subversive foreign films, and banned B-movies, he reveals how the legal battles over film content changed long-held interpretations of the Constitution, expanded personal freedoms, and opened a new era of free speech. An important contribution to film studies and media law, Geltzer’s work presents the history of film and the First Amendment with an unprecedented level of detail.Dirty words and filthy picturesMotion picturesCensorshipUnited StatesMotion picturesLaw and legislationUnited StatesMotion picture industryLaw and legislationUnited StatesMotion picturesHistoryFreedom of speechUnited StatesMotion picturesCensorshipMotion picturesLaw and legislationMotion picture industryLaw and legislationMotion picturesHistory.Freedom of speech791.43Geltzer Jeremy1969-1580126MiAaPQMiAaPQMiAaPQBOOK9910797796803321Dirty words & filthy pictures3860804UNINA