02100nam 22003733u 450 991079768260332120230807193104.01-4438-8146-5(CKB)3710000000473537(EBL)4534700(MiAaPQ)EBC4534700(EXLCZ)99371000000047353720160606d2015|||| u|| 0engtxtrdacontentcrdamediacrrdacarrierLolita between Adaptation and Interpretation From Nabokov's Novel and Screenplay to Kubrick's Film /by Anna PilińskaNewcastle-upon-Tyne :Cambridge Scholars Publishing,2015.1 online resource (152 pages)Description based upon print version of record.1-4438-8049-3 Acknowledgements -- Abbreviations -- Introduction -- Chapter One The Plot on Paper: The Nabokovian Nymphet & Co. -- Chapter Two The Plot on Screen: The Kubrickian Kitten & Co. -- Chapter Three The Handling of the Characters -- Chapter Four The Postmodern Game: The Problem of Intertextuality -- Conclusions -- Notes -- BibliographyThis book offers a comparative analysis of three versions of Vladimir Nabokov's Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrick's film based on Lolita's storyline (1962). Kubrick's final product oscillates between adaptation and interpretation, as it draws from both Nabokov's novel and script, but also uses the improvisational talents of the cast, eventually rendering the director's firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtraction813/.54Pilińska Anna1476205Nabokov Vladimir Vladimirovich1899-1977.‏132657AU-PeELAU-PeELAU-PeELBOOK9910797682603321Lolita between Adaptation and Interpretation3847016UNINA