02134nam 2200505 450 991079762980332120230807193449.01-4438-8189-9(CKB)3710000000485963(EBL)4534730(MiAaPQ)EBC4534730(Au-PeEL)EBL4534730(CaPaEBR)ebr11215750(CaONFJC)MIL839012(OCoLC)925303414(EXLCZ)99371000000048596320160623h20152015 uy 0engur|n|---|||||rdacontentrdamediardacarrierRecovery and transgression memory in American poetry /edited by Kornelia FreitagNewcastle upon Tyne, England :Cambridge Scholars Publishing,2015.©20151 online resource (348 p.)Description based upon print version of record.1-4438-8045-0 Includes bibliographical references.There is no poetry without memory. Recovery and Transgression: Memory in American Poetry is devoted to the ways in which poetic texts shape, and are shaped by, personal, collective, and cultural memory. It looks at the manifold and often transgressive techniques through which the past is recovered and repurposed in poetry. T.S. Eliot's "The Waste Land," Susan Howe's THIS THAT, Lyn Hejinian's Writing Is an Aid to Memory, John Tranter's "The Anaglyph," Amiri Baraka's "Somebody Blew Up America," and Amy Clampitt's "Nothing Stays Put" are only some of the texts discussed in this volume by a group Memory in literatureHistory in literatureAmerican poetry20th centuryHistory and criticismMemory in literature.History in literature.American poetryHistory and criticism.820.935842Freitag KorneliaMiAaPQMiAaPQMiAaPQBOOK9910797629803321Recovery and transgression3823692UNINA