00975nam a22002531i 450099100382039970753620030922131139.0031111s1973 it |||||||||||||||||ita b1247826x-39ule_instARCHE-051154ExLDip.to LingueitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.809.93Perotti, Berto254080I problemi dell'ebraismo nella letteratura tedesca /Berto PerottiVerona :Libreria editrice universitaria,1973144 p. ;24 cmSaggi e ricerche ;7Letteratura tedescaEbraismo.b1247826x02-04-1413-11-03991003820399707536LE012 830.9 PER12012000204393le012-E0.00-l- 00000.i1291026013-11-03Problemi dell'ebraismo nella letteratura tedesca180837UNISALENTOle01213-11-03ma -itait 2103755nam 2200637 450 991079762470332120200520144314.00-252-09667-3(CKB)3710000000485633(EBL)4306025(SSID)ssj0001583584(PQKBManifestationID)16263956(PQKBTitleCode)TC0001583584(PQKBWorkID)14864418(PQKB)11014982(MiAaPQ)EBC4306025(StDuBDS)EDZ0001642073(OCoLC)923011166(MdBmJHUP)muse35777(Au-PeEL)EBL4306025(CaPaEBR)ebr11137390(CaONFJC)MIL839190(OCoLC)935254915(EXLCZ)99371000000048563320160119h20152015 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierFrom scratch writings in music theory /James Tenney ; edited by Larry Polansky [and three others]Urbana, [Illinois] :University of Illinois Press,2015.©20151 online resourceDescription based upon print version of record.0-252-08437-3 0-252-03872-X Includes bibliographical references and index.Introduction / Larry Polansky -- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959) -- Meta [does not equal] Hodos (1961) -- Computer music experiences, 1961-1964 (1964) -- On the physical correlates of timbre (1965) -- Excerpts from "An experimental investigation of timbre---the violin" (1966) -- Form in twentieth-century music (1969-70) -- META Meta [does not equal] Hodos (1975) -- The chronological development of Carl Ruggles's melodic style (1977) -- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80) -- Introduction to "Contributions toward a quantitative theory of harmony" (1979) -- The structure of harmonic series aggregates (1979) -- John Cage and the theory of harmony (1983) -- Reflections after Bridge (1984) -- Review of Music as heard by Thomas Clifton (1985) -- About Changes: sixty-four studies for six harps (1987) -- Darmstadt lecture (1990) -- The several dimensions of pitch (1993/2003) -- On "crystal growth" in harmonic space (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-Meta [does not equal] Hodos (1959) -- Appendix 2. On musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt from A history of 'consonance' and 'dissonance' (1988).One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.ComposersMusic theoristsMusic theoryComposers.Music theorists.Music theory.780.922Tenney James1499766Polansky LarryMiAaPQMiAaPQMiAaPQBOOK9910797624703321From scratch3726104UNINA