02433nam 2200457 450 991079740530332120230807193048.01-78320-504-0(CKB)3710000000470545(EBL)2197317(MiAaPQ)EBC2197317(Au-PeEL)EBL2197317(CaONFJC)MIL884577(OCoLC)919565534(EXLCZ)99371000000047054520190208d2015 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierSoftimage towards a new theory of the digital image /Ingrid Hoelzl and Rémi MarieBristol, England ;Chicago, Illinois :Intellect,[2015]©20151 online resource (160 p.)Description based upon print version of record.1-78320-503-2 Cover; Half-Title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction; Chapter 1: Moving Stills (The Ken Burns Effect); Chapter 2: Expanded Photography (The Desire for Endlessness); Chapter 3: The Photographic Now (From Sign to Signal); Chapter 4: In the Matrix (From Geometry to Algorithm); Chapter 5: The Operative Image (Google Street View: The World as Database); Chapter 6: In the Urban Data-Space (The Image as Moment of Network Access); Conclusion: Softimage; Bibliography; Back CoverWith Today'S Digital Technology, the Image Is No Longer a Stable Representation of the World, but a Programmable View of a Database That Is Updated in Real Time. It No Longer Functions as a Political and Iconic Representation, but Plays a Vital Role in Synchronic Data-Todata Relationships. It Is Not Only Part of a Programme, but It Contains Its Own 'Operating Code': It Is a Programme in Itself. Softimage Aims to Account for That New Reality, Taking Readers on a Journey That Gradually Undoes Our Unthinking Reliance on the Apparent Solidity of the Photographic Image and Building in Its Place an PhotographyDigital techniquesPhotographyDigital techniques.775Hoelzl Ingrid1133429Marie RémiMiAaPQMiAaPQMiAaPQBOOK9910797405303321Softimage3826512UNINA