01756nas a2200349 i 450099100264538970753620231211131427.0011205m19139999 || | |eng 0021-1753b11688245-39ule_instPERLE004459ExLCDU 001IsisIsis :An international review devoted to the history of science and its cultural influences /History of Science Society, Smithsonian Institution, International Academy of the History of Science. - 1913-Cambridge, Mass.,1913-Codice CNR: P 00004436LE006 1973-2017; lac.: 1979;1987;1988;1990;2011;2013;2016;History of Science Societyauthorhttp://id.loc.gov/vocabulary/relators/aut462253Smithsonian Institutionauthorhttp://id.loc.gov/vocabulary/relators/aut359878International Academy of the History of ScienceIsis.b1168824508-05-1908-07-02991002645389707536LE0061le006-E0.00-no180000.i1191817208-07-02LE006Vol. 104 (2013)1le006pE399.20no180000.i1564659227-11-14LE006Vol. 105 (2014)1le006pE399.95no180000.i1564661027-11-14LE006Vol. 106 (2015)1le006pE485.08-no00000.i1570671023-12-15LE006Vol. 107 (2016)1le006pE502.05no180000.i1579260222-12-16LE006Vol. 108 (2017)1le006pE529.16no180000.i1586663408-11-18Isis1453044UNISALENTOle00601-01-01sa-engmau0102471nam 2200505 450 991079740490332120230807193027.01-78320-339-01-78320-338-2(CKB)3710000000470549(EBL)2197321(MiAaPQ)EBC2197321(Au-PeEL)EBL2197321(CaONFJC)MIL884541(OCoLC)920111181(EXLCZ)99371000000047054920200123d2015 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierThe artist as curator /edited by Celina JefferyBristol, UK ;Chicago, USA :Intellect,2015.1 online resource (214 p.)Description based upon print version of record.1-78320-337-4 Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; NoteChapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCoverIn recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized.ArtExhibition techniquesArtists as art museum curatorsCuratorshipArtExhibition techniques.Artists as art museum curators.Curatorship.707.5Jeffery CelinaMiAaPQMiAaPQMiAaPQBOOK9910797404903321The artist as curator3826508UNINA