01278nam0 22002653i 450 VAN010453520230725112452.12320160118d1978 |0itac50 baitaIT|||| |||||ˆ4:‰Carteggio Croce-Omodeoa cura di Marcello GiganteNapoliIstituto italiano per gli studi storici1978XXV, 250 p.24 cm001VAN01046112001 Carteggi di Benedetto CroceIstituto italiano per gli studi storici210 NapoliIstituto Italiano per gli Studi Storici.4NapoliVANL000005GiganteMarcelloVANV032512Istituto italiano per gli studi storici <Napoli>VANV109690650Gigante, Marcello <1923-2001>Gigante, MarcelloVANV035488ITSOL20230728RICAVAN0104535BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS BL.900M.475 00BL 5205 SLP 20160118 Biblioteca LauriaBIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS BL.900M.475 (bis) 00BL 5206 SLP 20160122 Biblioteca LauriaCarteggio Croce-Omodeo1410079UNICAMPANIA03668nam 2200589 450 991079736980332120170822145449.01-4422-5354-1(CKB)3710000000450942(EBL)2094958(OCoLC)913869408(SSID)ssj0001517831(PQKBManifestationID)12589749(PQKBTitleCode)TC0001517831(PQKBWorkID)11508295(PQKB)10233631(MiAaPQ)EBC2094958(EXLCZ)99371000000045094220160819h20152015 uy 0engur|n|---|||||txtccrSelling sex on screen from Weimar cinema to zombie porn /edited by Karen A. Ritzenhoff, Catriona McAvoyLanham, [Maryland] :Rowman & Littlefield,2015.©20151 online resource (283 p.)Description based upon print version of record.1-4422-5353-3 Includes bibliographical references at the end of each chapters and index.Contents; Preface: "She Isn't a Hooker. She's, Like, an International Party-Girl": Language, (Mis)identification, and Selling Sex on Screen; Acknowledgments; Introduction; Chapter 1. The Sexual Economy and the New Woman Images of Prostitution in Weimar Cinema; Chapter 2. Early Representations of Female Prostitution in Pandora's Box; Chapter 3. How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley's Gold Diggers Films; "Birdie, You Got My Dollar, Don't I Get Something for It?": The "Tutor-Code" of Sex Trade in the Golden Age of Television WesternsEconomics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War FilmsChapter 6. She Wolves: The Monstrous Women of Nazisploitation Cinema; Chapter 7. Delicate Reports: Prostitution in Sergio Martino's Mondo Film Wages of Sin (Mille peccati . . . nessuna virtù); Chapter 8. Cha Ching!: Getting Paid in Breakfast at Tiffany's and Showtime's Gigolos; Chapter 9. Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen's Shame and Stanley Kubrick's Eyes Wide ShutChapter 10. "They're Selling an Image": "Hookers Cut to Look Like Movie Stars" in L.A. ConfidentialChapter 11. Selling Sex, along with Everything Else: Darla as Mark(et)ed Woman in Joss Whedon's Buffy the Vampire Slayer; Chapter 12. What Happens to the Money Shot?: Why Zombie Porn Can't Get the Audience to Bite; Index; About the Editorsand Contributors<span><span>The volume explores contemporary and historical films about "marked women" in various national cinema traditions. The essays focus on the depictions of prostitution and promiscuity in visual media from Silent Film in America to Weimar Cinema in Germany, the Golden Years in Hollywood, to the present. The book also touches on the Western genre, exploitation film, pornography, independent, and exploitation movies. </span></span>Prostitutes in motion picturesProstitution in motion picturesSex in motion picturesProstitutes in motion pictures.Prostitution in motion pictures.Sex in motion pictures.791.43/6538791.436538Ritzenhoff Karen A.McAvoy Catriona1978-MiAaPQMiAaPQMiAaPQBOOK9910797369803321Selling sex on screen3734380UNINA