06012nam 2200745 450 991079736590332120230516110521.090-272-6838-X(CKB)3710000000449795(EBL)2096331(SSID)ssj0001561547(PQKBManifestationID)16203767(PQKBTitleCode)TC0001561547(PQKBWorkID)14258421(PQKB)11006649(PQKBManifestationID)14289112(PQKB)22573801(DLC) 2015020275(Au-PeEL)EBL2096331(CaPaEBR)ebr11079044(CaONFJC)MIL813970(OCoLC)910009669(MiAaPQ)EBC2096331(EXLCZ)99371000000044979520150728h20152015 uy 0engur|n|---|||||txtccrChildren's literature and the avant-garde /edited by Elina Druker, Bettina Kümmerling-MeibauerAmsterdam, Netherlands ;Philadelphia, Pennsylvania :John Benjamins Publishing Company,2015.©20151 online resource (307 p.)Children's Literature, Culture, and Cognition,2212-9006 ;Volume 5Description based upon print version of record.90-272-0159-5 Includes bibliographical references at the end of each chapters and indexes.Children's Literature and the Avant-Garde; Editorial page; Title page; LCC data; Table of contents; Table of figures; Introduction; What is Avant-garde?; Avant-garde and children's books; Aims of this volume; Selected bibliography; John Ruskin and the mutual influences of children's literature and the avant-garde; The condition of childhood; Influence of improved printing for children; Children's literature and culture as Purveyors of the Grotesque; Political caricaturists as children's book illustrators; Roots of the picturebook in total design; References; Primary sources; Secondary sourcesEinar Nerman - From the picturebook page to the avant-garde stageCaricature artist, painter and performer; Crow's Dream - An animal revolution; Darkness and light; From stage designs to picturebooks; Mass culture, children's literature and the avant-garde; References; Primary sources; Secondary sources; Sándor Bortnyik and an inter-war Hungarian children's book; Introduction; Publication variations; The book; Sándor Bortnyik: Biography and activity; Bortnyik in Germany; Return to Hungary; Hungarian modernism and its origins; Modernism and its relationship to graphic designPotty és Pötty: Illustrations and textBortnyik and children's books; Conclusion; Acknowledgments; References; Primary sources; Secondary sources; The forgotten history of avant-garde publishing for children in early twentieth-century Britain; Recovering Britain's lost avant-garde legacy; Surrealism and British children's fiction: Jean de Bosschère The City Curious (1920); Childhood recaptured: Child art and children's literature in Britain; The Émigré effect: Adapting European techniques to British tastes; Avant-garde echoesExperimental landscapes: Avant-garde arts meet the English landscapeAcknowledgement; References; Primary sources; Secondary sources; The square as regal infant; Introduction; Kazimir Malevich and the avant-garde infantile; Shape, Geometry, and the Infantile; El Lissitzky and the avant-garde infantile; Vladimir Lebedev and the avant-garde infantile; Conclusion; References; Primary sources; Secondary sources; The 1929 Amsterdam exhibition of early Soviet children's picturebooks; Historical background; Publishing children's books in the early Soviet Union; Early Soviet children's booksIllustrators of Soviet children's booksEarly exhibitions of Soviet children's books; The organization of the 1929 Amsterdam exhibition; The reconstruction of the exhibition; Representativeness; The reception; Conclusions; References; Primary sources; Secondary sources; Appendix; Rupture. ideological, aesthetic, and educational transformations in Danish picturebooks around 1933; A new society, a new child, a new picturebook; The new world presented in Jørgens Hjul; The education of the socialist citizen; Aesthetic appeal in text and imageToward a pedagogic poetics. Progressive educational ideals in Denmark around 1933This chapter addresses what an avant-garde for children might look like, and what it might do. It is called "Surrealism for Children: Paradoxes and Possibilities" because the very notion of an avant-garde for children strikes the author as both paradoxical and not, and as both possible and impossible. In making this claim, the author argues with - and revises - his own analysis in The Avant-Garde and American Postmodernity: Small Incisive Shocks (2002), which took for granted that an avant-garde for children was both possible and critically viable. What he once accepted as a certainty, he nowChildren's literature, culture, and cognition ;Volume 5.Children's literatureHistory and criticismAvant-garde (Aesthetics)History20th centuryAvant-garde (Aesthetics)History21st centuryLiterature, ExperimentalHistory and criticismbørne- og ungdomslitteratur.Children's literatureHistory and criticism.Avant-garde (Aesthetics)HistoryAvant-garde (Aesthetics)HistoryLiterature, ExperimentalHistory and criticism.809/.89282Druker Elina1970-Kümmerling-Meibauer BettinaMiAaPQMiAaPQMiAaPQBOOK9910797365903321Children's literature and the avant-garde3725549UNINA